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格吉(殺人鬼)
卡文·英瑪諾泰,Supawadee Kitisopakul,??????? ????????????神探伽利略 禁斷的魔術(shù)
福山雅治,北村一輝,新木優(yōu)子,村上虹郎,森七菜,渡邊一計(jì),澤部佑,朝倉(cāng)亞紀(jì),中村雅俊,鈴木浩介,平原テツ輕聲告訴我
費(fèi)爾南多·林德斯,安德斯·維倫科索,帕特里夏·維柯,西莉亞·費(fèi)杰羅,Fernando Nagore,艾麗西婭·法爾科,Eve Ryan,Diego Vidales蒙上你的眼:逃出巴塞羅那
喬治娜·坎貝爾,馬里奧·卡薩斯,迭戈·卡爾瓦,米歇爾·珍娜,萊昂納多·斯巴拉格利亞,洛拉·杜埃尼亞斯,帕特里克·克里亞多,Alejandra Howard,西莉亞·費(fèi)杰羅,Naila Schuberth,岡扎洛·德·卡斯特,Manel Llunell,米洛·塔波阿達(dá),Brian Lehane,Gerard Oms菲律賓女孩
喬里貝爾·阿戈托,Joanna Marie Banua,安吉莉·芭雅妮,沙梅恩·布埃諾卡米諾,安娜·布金德,卡門·卡斯特利亞諾斯,Bullet Dumas,Teroy Guzman,Nour Hooshmand,阿戈特·伊西德羅,Pipay Kipay,Thea Marabut,米卡·戈麥斯,魯比·魯伊斯,伊莎貝爾·西卡特,卡洛斯·西古伊納-瑞納,Jewel Sotelo,Sunshine Teodoro,Elle Velasco亂馬OVA特別篇無(wú)差別格斗對(duì)鳳凰
山口勝平,林原惠美,日高范子,高山南,井上喜久子同類推薦
怒襲
安志杰,伍允龍,洪浚嘉,克拉雅,張建聲,何慈茵,王東,朱云兒,易宇航前“兵王”阿龍為尋找失蹤女兒,孤身潛入血腥犯罪園區(qū)。從詐騙園區(qū)到器官黑市,他孤身對(duì)抗整個(gè)血腥系統(tǒng),直到與幕后Boss昆麥展開最終決戰(zhàn)……
海底軍艦
高島忠夫,中村哲,藤山陽(yáng)子,藤木悠,佐原健二,上原謙,小泉博,田崎潤(rùn),田島義文,平田昭彥本多豬四郎監(jiān)督 1963年/94分/カラー/35ミリ/東寶 出演:高島忠夫、小林哲子、田崎潤(rùn) 世界征服を狙うムウ帝國(guó)の野望を阻むべく、舊日本海軍が極秘に建造を進(jìn)めていた海底軍艦が水中?空中?地中を進(jìn)む。海底軍艦はムウ帝國(guó)の守護(hù)神マンダをうち破り遂に心臓部に到達(dá)する!壊滅したムウ帝國(guó)の女王の行動(dòng)も感動(dòng)的で何度見ても見飽きない不滅のSF映畫。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
通往絞刑架的電梯
讓娜·莫羅,莫里斯·羅內(nèi),喬吉斯·伯喬利,約里·貝爾坦,讓·瓦爾,埃爾加·安德森,西爾維亞娜·艾森施泰因,米舍利娜·博納,吉賽勒·格蘭普雷,Jacqueline Staup,馬塞爾·屈弗利耶,熱拉爾·達(dá)里厄,查爾斯·登納,于貝爾·德尚,雅克·黑林,馬塞爾·喬內(nèi),弗朗索瓦·茹,伊萬(wàn)·彼得羅維奇,費(fèi)利克斯·馬滕,利諾·文圖拉,讓-克洛德·布里亞利前傘兵軍官朱里安?塔維尼(Maurice Ronet 飾)退役后在一家軍火公司上班,期間他和老板西蒙?卡瑞拉(Jean Wall 飾)的妻子弗洛倫絲(Jeanne Moreau 飾)陷入熱戀。為了掃清障礙,他和情婦制定了一條看似天衣無(wú)縫的謀殺計(jì)劃。計(jì)劃起初進(jìn)展順利,但在刺殺之后卻因細(xì)微的差錯(cuò)偏離當(dāng)初的設(shè)想,朱里安更被困在大樓的電梯之中?! ∷^禍不單行,一對(duì)青年男女偷走了朱里安的車,事態(tài)開始朝著混亂的方向發(fā)展…… 本片為左岸派元老路易?馬勒的長(zhǎng)片處女作,榮獲1957年路易?德呂克獎(jiǎng)
愛情抓馬
羅伯特·帕丁森,贊達(dá)亞,馬莫多·阿西,阿拉娜·哈伊姆,海利·蓋茨,佐伊·溫特斯,邁克爾·阿伯特,西德妮·萊蒙,亞亞·戈塞林,佩頓·杰克遜,喬丁·庫(kù)雷特,馬修·J·麥克勞克林,蒂埃雷·迪亞斯,克里斯托弗·C·詹姆斯,肖恩·福格蒂,蔡斯·布雷索夫,格瑞·科恩,艾可·坎貝爾,卡拉·科爾南·約瑟夫,馬克斯·德德里安,凱西·麥克尼爾婚禮前幾天,一對(duì)情侶無(wú)意中發(fā)現(xiàn)彼此的秘密,親密關(guān)系面臨考驗(yàn),令結(jié)婚計(jì)劃驟然生變。暗黑秘密如何一發(fā)不可收拾?各種反應(yīng)又引致怎樣翻天覆地的后果?原定又浪漫又幸福的結(jié)婚計(jì)劃,還可以進(jìn)行嗎?