劇情縱覽
《在克里奇的平靜日子》講述杰伊是一個(gè)窮作家,他的室友卡爾是一個(gè)好色之徒,他們兩個(gè)單身漢在世界各地到處流浪,在巴黎的克里區(qū),他們度過(guò)了一段貧窮但是快樂(lè)的日子,當(dāng)然,女人是他們生活里面最重要的內(nèi)容……
《在克里奇的平靜日子》講述杰伊是一個(gè)窮作家,他的室友卡爾是一個(gè)好色之徒,他們兩個(gè)單身漢在世界各地到處流浪,在巴黎的克里區(qū),他們度過(guò)了一段貧窮但是快樂(lè)的日子,當(dāng)然,女人是他們生活里面最重要的內(nèi)容……
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.
一名男子在郊區(qū)一間空蕩蕩的房子里醒來(lái),沒(méi)有記憶,手臂上沾著血跡。當(dāng)他瘋狂地洗掉血跡時(shí),他發(fā)現(xiàn)那不是他的。他在房子周圍發(fā)現(xiàn)了一些便利貼,上面寫著:“不要呆在這個(gè)房間里。”“別出去。”“別下樓?!彼械嚼Щ?,試圖追蹤這些神秘的信息,最終發(fā)現(xiàn)了兩件事。他與母親和女兒的記憶有某種聯(lián)系,還有住在這所郊區(qū)房子里的惡魔。當(dāng)他越來(lái)越接近解開(kāi)他為什么在那里的謎團(tuán)時(shí),惡魔變得越來(lái)越強(qiáng)大,考驗(yàn)著他的生存意志。
由五個(gè)單元故事組成的GOOD TAKE,是香港電影新一代導(dǎo)演的創(chuàng)新作品,包括導(dǎo)演曾國(guó)祥《水泥》,講述警員9413(周柏豪)前往報(bào)案地點(diǎn)查案,最後只留下電話鈴聲卻不見(jiàn)其人,令人毛骨悚然;導(dǎo)演黃智亨的《囍宴》,一個(gè)小孩跟著跟爸爸(張兆輝飾)一起前赴媽媽新婚囍宴的故事,童真與成年人的無(wú)奈都盡在心頭;導(dǎo)演黃進(jìn)的《Good Take》,透過(guò)甘草演員泰勒(盧海鵬飾)的生活是向資深電影從業(yè)員致敬的故事;導(dǎo)演楊龍澄的《不一定》,以型格對(duì)比色彩重構(gòu)暴力血腥鏡頭;導(dǎo)演黃精甫的《嚇鬼》,Charlene(蔡卓妍飾)挑戰(zhàn)鬼屋一夜遊,遇上中國(guó)殭屍、長(zhǎng)髮貞子和辮子姑娘,過(guò)程又驚又笑!五個(gè)故事各自有著不同風(fēng)格及不同戲味!
艾斯與他手下的一隊(duì)精英街頭賽車手,在一個(gè)神秘組織威脅到他身邊之人時(shí),被迫卷入一項(xiàng)高籌碼任務(wù)。在“四朋友”事件之后,他們發(fā)現(xiàn)自己竟在為惡名昭彰的“刺客教會(huì)”效力,并被指派去完成一項(xiàng)不可能的工作。然而,當(dāng)他們不斷突破極限時(shí),卻揭示了一個(gè)令人不寒而栗的真相——失敗本就是計(jì)劃的一部分。在這場(chǎng)腎上腺素飆升的驚悚之旅中,背叛、速度與生存激烈碰撞,真正的競(jìng)賽不僅為了勝利,更是為了活命。