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超越鼓丘
邁克爾·科瓦爾斯基,Morgan DeTogne,Daniel Titmuss,Emma Jessop浴血黑幫電影版
基里安·墨菲,麗貝卡·弗格森,蒂姆·羅斯,蘇菲·蘭朵,奈德·丹內(nèi)利,派克·李,伊恩·佩克,杰伊·利庫戈,巴里·基奧恩,斯蒂芬·格拉漢姆,薩米·喬納斯·希尼,魯比·阿什伯恩·瑟金斯,山姆·貝克-瓊斯,卡斯珀·希爾頓-希勒,馬丁·安格鮑爾,馬克·威爾金森,托馬斯·阿諾德,安迪·M·米利根,羅利·威爾遜,馬克斯·凱文漢姆母親的皮下
安吉莉·芭雅妮,Beauty Gonzalez,賈絲敏·柯提斯-史密斯風中的洛朗
巴蒂斯特·佩魯薩,碧翠斯·黛爾,托馬斯·達洛茲,莫妮克·克雷斯潘,雷蒙·巴爾諾,蘇贊妮·德芭奎,賈尼斯·布茲亞尼,呂西爾·巴萊佐,貝努瓦·格拉爾東,馬克西姆·馬尼昂,布魯諾·萊德,喬納森·默爾,帕梅拉·勒莫尼耶·埃利亞斯,維吉妮·阿爾諾,蕾拉·埃利亞斯,朱迪思·弗拉吉,伊拉·韋爾比茨卡亞,弗朗索瓦·奎克雷,約瑟芬·穆爾拉克,路易絲·皮特爾女孩2025
邱澤,湯毓綺,白小櫻,林品彤,賴雨霏,劉品言,陳竹升,曾珮瑜,梁正群,謝瓊煖,黃鐙輝,劉冠廷小倩2024
邊江,張惠霖,陳張?zhí)?張思王之,傅晨陽,盧力峰,孫睿揚,郭政建,林蘭,妶耳,錦鯉,張雨濛,白望文一同類推薦
霹靂大喇叭
洪金寶,張學友,王祖賢,姜大衛(wèi),馮淬帆,秦沛,胡楓,林正英,元華,元奎,張堅庭陳文?。ê榻饘?飾)和張定其(張學友 飾)只是警隊中的無名小卒,卻在機緣巧合之下被指派到神探(姜大衛(wèi) 飾)手下助其偵破“千面人”之案。沒想到,一場意外中神探不幸喪生,可是,心愿未了的他顯然不愿就此歸去,而是化為冤魂,纏上了陳文俊和張定其兩人,要他們破案為自己報仇?! ∩裉酵{陳文俊,若不幫他報仇,就要破壞他和女友喬娜(王祖賢 飾)之間的姻緣。經(jīng)不住神探的死纏爛打和卑鄙威脅,個性膽小怕事的陳文俊只能答應下來。就這樣,陳文俊和張定其開始了對案件的追查,在神探的暗中幫助下,他們最終將罪犯捉拿歸案,陳文俊和喬娜亦有情人終成眷屬。
大明嬪妃之攻心
宋洋,何杜娟,關慧卿,陳一諾張清遠死后蘭心終日郁郁寡歡,太子誤以為她還深愛張清遠,嫉妒不已,故意親近其她妃子來刺激和報復蘭心。蘭心本已對太子暗生情愫,見狀卻只能傷懷。 姚芊芊明白了四面楚歌的危險,為保腹中孩子,她四處籠絡人心,頗見成效。 王恭妃查出了蘭心和張清遠的私情,盛怒之下將蘭心打入冷宮。太子偷偷潛入冷宮和蘭心相見,兩人終于明白了對方的深情,情動之下有了一夜溫存…… 后來,蘭心被診出懷有身孕,王恭妃卻根本不相信這個孩子是太子的……
狼蛛
約翰·艾加爾,里奧.G.卡羅爾,克林特·伊斯特伍德本片是美國50年代一部優(yōu)秀的科幻片。導演Jack Arnold運用特效,讓一只小小的蜘蛛在銀屏上變成一只體形龐大的塔蘭圖拉毒蛛。影片中的塔蘭圖拉毒蛛是一只十分可怕的怪獸,它四處破壞,但始終免不了滅亡的命運?! 〗?jīng)典科幻片,強烈推薦!
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
箭下的約翰娜
伊達·梅金·赫林斯多蒂爾,Grímur Hlynsson,Torgils Hlynsson,Elín ósk óskarsdóttir,Hrafn Tráinsson三個兄弟姐妹制作了一個騎士般的人物,結果卻射出了一連串的箭。隨著季節(jié)的推移,我們觀察了他們的生活,因為他們都在建造和拆除他們逼真的作品。