女人的呼吸

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

　　一名男子打電話給孟買警方并告訴他們，他已經(jīng)把5個(gè)不同的炸彈安置在城市之內(nèi)，并已經(jīng)設(shè)定在同一時(shí)間爆炸-他希望以此交換4名恐怖分子。他是否能換回他們？背后的黑手是誰？動(dòng)機(jī)又是什么呢？是否不是表面上看起來那么簡(jiǎn)單呢？

天才物理學(xué)家程玄發(fā)明了時(shí)空穿梭戒指，借助這枚戒指，他穿梭到了多個(gè)時(shí)空，認(rèn)為科技可以改變世界。一伙邪惡勢(shì)力一直對(duì)程玄的時(shí)空穿梭戒指虎視眈眈，對(duì)方想盡方法兵派出了多人設(shè)計(jì)奪取時(shí)空戒指。于是，程玄不得不開始他的逃亡之旅...

　　After watching their best friend get murdered, a group of teens struggle to expose a local hero as the vicious killer and keep from becoming his next victims.