在線播放
劇情簡(jiǎn)介
這部電影真的實(shí)現(xiàn)了性感的黑色電影。 如果你是像任何好處,熱血,異性的美國(guó)男性,你可能只是想檢查出博的博dacious的身體 - 她可能提供她最好的屏幕上的L體在這其中,包括在摩托車上的一個(gè)相當(dāng)沉重的x愛場(chǎng)面。你絕對(duì)不會(huì)失望的!
同類好片
大話神探
陳百祥,錢小豪,曹查理,馮淬帆,許冠英,葉童,鄭君綿,成奎安,胡楓格斗家·父愛無聲
周惠林,白予晴,周小偉,張聿失控2018
李·佩斯,杰森·蘇戴奇斯,朱迪·格雷爾,寇瑞·斯托爾,艾琳·莫里亞蒂,賈斯汀·巴薩,邁克爾·庫(kù)立茲,塔拉·薩莫斯,伊多·戈德堡,岡本玉二,阿瑟·邁爾斯·法里卡,艾梅柏·里維拉,布賴恩·泰斯特,杰弗里·霍爾斯曼,奧馬爾·克魯茲·索托,Isabel Arraiza,Tyler Crumley,路易斯·O·羅薩多假面復(fù)仇
Marco Giallini,Edoardo Leo,Catrinel Marlon鉆石般的她
路易莎·拉涅瑞,杰絲敏·特麗卡,斯特凡諾·阿科爾西,盧卡·巴爾巴羅薩,薩拉·博西,洛雷達(dá)納·卡納塔,杰皮·庫(kù)奇阿里,安娜·費(fèi)澤蒂,奧羅拉·喬維納佐,妮可·吉瑪多,米萊娜·曼奇尼,維尼喬·馬爾基奧尼,葆拉·米納喬尼,愛多阿多·普爾加托里,卡爾米內(nèi)·雷卡諾,艾萊娜·索菲亞·里奇,盧妮塔·薩維諾,凡妮莎·斯卡萊拉,卡拉·西格諾里斯,卡夏·斯穆特尼亞克偽裝大師1:維多女人
陳啟杰,高雨兒,張煒迅,夏星,張惠程,楊靜,閆銳導(dǎo)演精選
亡命競(jìng)速
艾斯與他手下的一隊(duì)精英街頭賽車手,在一個(gè)神秘組織威脅到他身邊之人時(shí),被迫卷入一項(xiàng)高籌碼任務(wù)。在“四朋友”事件之后,他們發(fā)現(xiàn)自己竟在為惡名昭彰的“刺客教會(huì)”效力,并被指派去完成一項(xiàng)不可能的工作。然而,當(dāng)他們不斷突破極限時(shí),卻揭示了一個(gè)令人不寒而栗的真相——失敗本就是計(jì)劃的一部分。在這場(chǎng)腎上腺素飆升的驚悚之旅中,背叛、速度與生存激烈碰撞,真正的競(jìng)賽不僅為了勝利,更是為了活命。
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
殺戮南瓜怪
萬圣節(jié)之夜,一位少女劇作家、她的弟弟和一群幸存者被困在一個(gè)可怕的村莊里:一群有著生命的南瓜開始攻擊人類,而這件事似乎在這個(gè)村莊的歷史上發(fā)生過。