前世情迷

2.3 播放:96萬 2026-05-07

最近小雯晚上總是作些奇奇怪怪的夢,導(dǎo)致白天精神不振,工作有些失常怪異。好友瑤瑤很關(guān)心的追問,小雯只好老實告訴她,瑤瑤認(rèn)為小雯因沒男朋友才會這樣,提議她加入香腸族,就不會再作惡夢了。小雯自從加入香腸族后,在空中認(rèn)識某催眠大師,但是卻使得她夢境更加嚴(yán)重,常夢到前世的事,于是小雯拉好友瑤瑤一起找催眠大師,想問清楚她怎么會這樣 ? 但小雯看到催眠大師卻非常害怕,因催眠大師就是她夢境中的大壞人。瑤瑤和她的男友為了幫助小雯,替她找到一位精神醫(yī)生,醫(yī)生對瑤瑤說他有一位病患,也和小雯有相同的病情,就是催眠大師,會不會這兩人前世有關(guān)連 ? 經(jīng)過醫(yī)生從中搭橋梁,小雯終于正式和催眠大師認(rèn)識,雙方可以正面交談,于是其斬不斷的前世情孽,需留待今世償還,終使雙方化解前世陰影   

在線看

同款熱播

沉默的鏡像

蒂莫西·赫頓,費(fèi)爾南多·古林·庫弗,米格爾·安赫爾·西爾維斯特

  這是一部B級的驚悸片領(lǐng)銜主演的是曾獲得奧斯卡獎的蒂莫西·赫頓.  歐洲警察特工Tom Brindle(由蒂莫西·赫頓扮演)負(fù)責(zé)調(diào)查Pygmalion的案件,這家伙在  法國和西班牙殺害了很多女孩,是一個連環(huán)殺手...  @幕后  蒂莫西·赫頓在1980年羅伯特·雷德福(Robert Redford)導(dǎo)演的第一部影片《凡夫俗子》(Ordinary People)中扮演一位企圖自殺年輕人,他敏感、細(xì)致入微出色表現(xiàn)為贏得了包括奧斯卡最佳男配角獎內(nèi)多項表演獎當(dāng)時還不滿20歲

繼續(xù)跳舞

繆騫人,林建明,黃霑,周文健,孟海

  資深電視人甘國亮和《跳灰》新浪潮電影人梁普智聯(lián)合導(dǎo)演,1988年喜劇《繼續(xù)跳舞》由繆騫人、新馬師曾、曾志偉、吳耀漢、黃沾、李香琴、孟海、林憶蓮和林建明主演,片中繆騫人更一人飾演兩角,分別是孖生姊妹長娥和次娥。次娥本來住在精神病院中,但是她用巧計將長娥騙入院中,并對調(diào)身份,然後到社會上尋找負(fù)心的前夫?! 」适轮v述次娥在過程中遇上了單戀長娥的郵差,又因看風(fēng)水而認(rèn)識了富翁唐沙翁。三人之間竟然相處融洽。而長娥本來只想在院中作短暫的停留,但是每日接觸稀奇古怪的醫(yī)護(hù)人員和病人後,竟然發(fā)現(xiàn)這種生活別有樂趣,逐漸淡忘外界的一切,包括自己的未婚夫在內(nèi)……

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

判妖邪

韓棟,趙黛溪,都桂宇,劉旭,宋海頡

  殘?zhí)苼y世,瘟疫橫行,傳言妖女吳雙化為邪祟禍害人間。然而,吳雙的哥哥不良人吳令,從不相信自己善良的妹妹會是所謂妖女,他決心以縫尸還魂的秘術(shù),復(fù)活被斬首的妹妹,在暗影涌動的瘟神廟中,設(shè)下詭局,審判真正的惡人,求一份清白與公道?! ∮捌鶕?jù)短篇小說《古廟夜譚》改編。

半身死靈

大島優(yōu)子,山崎真實,螢雪次朗,阿部進(jìn)之介

  在近代日本坊間流傳著這樣一個傳說,名叫島禮子的美麗少女被美國大兵輪奸,在此之后她精神失常,臥軌而死。島禮子一縷幽魂不散,化作只有上半身的恐怖惡靈。它極端憎惡紅色,每晚出沒在橫跨鐵路的天橋上,并在路過之人背后發(fā)出“嗒卡嗒卡”的聲音。一旦路人回頭,它便將對方攔腰斬斷。即使僥幸逃過,在接下來的72小時內(nèi)也必然遭到“嗒卡嗒卡”的獵殺。  高中少女大橋可奈(大島優(yōu)子 飾)的好友綾花夜歸遭遇“嗒卡嗒卡”,遇害身亡??四卧诩腊莺糜褧r,同樣見到這個恐怖惡靈,不過僥幸逃脫。然而死亡的陰影仍然籠罩在她的頭上,在女大學(xué)生平山理繪(山崎真實 飾)的幫助下,她們一同出發(fā)尋找求生的辦法……

洛桑的家事

金巴,扎西,加華草,更旦,居瓊欽

  洛桑的三歲孫女央金被酒后駕駛拖拉機(jī)的豆拉伽撞成了高位截癱,由此引發(fā)了三個家庭的矛盾,最后和解,實現(xiàn)了信仰與法律的相輔相成。