國產(chǎn)金雞

★ 2.0 播放：48萬 更新：2026-05-13
主演： 阮朗/

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印度頂級間諜阿吉特·多瓦爾（Ajit Doval）在敵方領(lǐng)土上臥底，冒著一切風(fēng)險收集情報并防止重大危機(jī)，鞏固了他作為“印度詹姆斯·邦德”的遺產(chǎn)。

密林諜影

 1940年，北滿抗聯(lián)獨立大隊屢遭日軍追襲，被迫在深山老林中不斷轉(zhuǎn)移，對外聯(lián)系也已被日軍切斷。地下黨龍澤群獲知日軍間諜獨狼已潛入獨立大隊，一場驚心動魄的鋤奸行動就此展開……該片展現(xiàn)了北滿地區(qū)社會各界人士團(tuán)結(jié)一致，反抗侵略的偉大精神。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster