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耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
你行!你上!
姜文,馬麗,張乘郝,王碩瓏,陸一,于和偉,余皚磊,何賽飛,辛芷蕾,雷佳音,葛優(yōu),王傳君,胡歌,甄子丹,丁志誠(chéng),李屏賓,李子為,曹操,吉娜·愛(ài)麗絲這是一對(duì)父子的傳奇歷險(xiǎn),也是兩個(gè)野心家的一拍即合。從沈陽(yáng)到美國(guó),從3歲到17歲,彈琴勝似取經(jīng),八十八鍵多過(guò)八十一難,父子心無(wú)雜念,只管埋頭向前,兩人赤手空拳讓美國(guó)殿堂藝術(shù)精英們刮目相看。
機(jī)動(dòng)戰(zhàn)士高達(dá)00劇場(chǎng)版先驅(qū)者的覺(jué)醒
宮野真守,三木真一郎,吉野裕行,神谷浩史,本名陽(yáng)子,東地宏樹(shù),高垣彩陽(yáng),戶松遙,小笠原亞里沙,高山南,濱田賢二,中村悠一,上田祐司,釘宮理惠,入野自由,齋藤千和,磯部勉,古谷徹,藤田淑子,恒松步,根谷美智子,川島得愛(ài),白鳥(niǎo)哲,梅津秀行,早水理沙,佐藤有世,松本保典,置鲇龍?zhí)?谷口節(jié),小室正幸,白石涼子,游佐浩二,小形滿,古島清孝,清水美智子,奈良徹,星野貴紀(jì),佐藤健輔,廣田詩(shī)夢(mèng),勝地涼【故事簡(jiǎn)介】利翁茲·奧馬克與天人的戰(zhàn)斗以真正的改革者剎那·F·清英等人的勝利拉上了帷幕。獨(dú)立治安維和部隊(duì)A-Laws解體,世界終于走向了和平。這樣過(guò)了兩年,西歷2314年,表面上消失了的天人為了防止戰(zhàn)爭(zhēng)發(fā)生仍然在暗處活動(dòng)著,這時(shí),新的戰(zhàn)爭(zhēng)打響了信號(hào)。再次集結(jié)起來(lái)的高達(dá)駕駛員們乘坐著新式高達(dá),開(kāi)始了戰(zhàn)斗!【STAFF】企畫(huà):sunrise原作:矢立肇、富野由悠季腳本:黑田洋介人設(shè)原案:高河弓動(dòng)畫(huà)人設(shè):千葉道德機(jī)體設(shè)定: 海老川兼武、柳瀨敬之、福地仁、鷲尾直廣、寺岡賢司、中谷誠(chéng)一、大河原邦男動(dòng)畫(huà)機(jī)體設(shè)定: 中谷誠(chéng)一美術(shù)設(shè)定:須江信人(KUSANAGI)美術(shù)監(jiān)督:若松榮司(KUSANAGI)色彩設(shè)計(jì):手島明美(Wish)音響監(jiān)督:三間雅文攝影監(jiān)督:葛山剛士(旭Production)旁白:古谷徹制作人:池谷浩臣(sunrise)、佐々木新(sunrise)監(jiān)督:水島精二制作:創(chuàng)通、sunrise
致我的青春
Theo Camillo Taslim,Fendy Chow,Agus Wibowo金屬之聲
里茲·阿邁德,奧利維亞·庫(kù)克,保羅·拉西,勞倫·利德洛夫,馬修·阿馬立克,克里斯·佩爾費(fèi)蒂,邁克爾·陶,威廉·澤法爾茨,亞歷克斯·基爾戈?duì)?杰米·加扎里安一個(gè)搖滾樂(lè)隊(duì)的鼓手(里茲·阿邁德)突然發(fā)現(xiàn)自己失聰,他的樂(lè)隊(duì)搭檔露(奧利維亞·庫(kù)克)和他都很懊惱,但又不得不面對(duì)這殘酷的現(xiàn)實(shí)。影片去年在多倫多電影節(jié)首映,作為導(dǎo)演處女作獲得媒體好評(píng)。
全力奔跑
河錫辰,金多賢,李信永,尹書(shū)彬曾是韓國(guó)最快短跑選手的姜九榮(河錫辰 飾),因傷病、離婚、負(fù)面?zhèn)髀勏萑肷牡凸?,面臨退役危機(jī),只剩最后一次機(jī)會(huì)挽回?fù)磹?ài)、重拾榮光;同時(shí),熱血高中生姜?jiǎng)倭遥ɡ钚庞?飾)為追求心儀的女孩智恩,踏上短跑之路全力沖刺。兩代跑者的人生在賽道上交集,在速度與熱愛(ài)中完成自我救贖,致敬韓國(guó)田徑的塵封紀(jì)錄。