本能

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退休搖滾明星強(qiáng)尼·博茲(Bill暫無(wú)內(nèi)容Cable暫無(wú)內(nèi)容飾)在性行為的過(guò)程中被人用白絲巾捆綁雙手后用冰錐殘忍刺死。其女友凱瑟琳·特拉梅爾(Sharon暫無(wú)內(nèi)容Stone暫無(wú)內(nèi)容飾)是一名作家,去年出版的小說(shuō)中就有雙手被白絲巾捆綁的退休搖滾明星被女友用冰錐刺死的情節(jié)。雖然特拉梅爾通過(guò)了謊言測(cè)試,但曾槍殺兩位游客卻被判無(wú)罪的尼克·柯蘭警探(Michael暫無(wú)內(nèi)容Douglas暫無(wú)內(nèi)容飾)堅(jiān)持認(rèn)為特拉梅爾在說(shuō)謊。因?yàn)樗约阂苍邮苓^(guò)謊言測(cè)試,并且通過(guò)了……

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Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster