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洛奇
西爾維斯特·史泰龍,塔莉婭·夏爾,伯特·楊,卡爾·韋瑟斯,布吉斯·梅迪斯異形怪胎
布魯克·亞當(dāng)斯,詹姆斯·凱倫,麗莎·庫卓,凱西·格里芬,Jeff Hayenga導(dǎo)師2025
Sornram Aneklap,帕林亞·昂薩南,塔那萬·霍查雷拉哈,尼措空·卡瓊伯利叻,因托楚克·英拓楚克·倥拉瑪蘇皖,Sueangsuda Lawanprasert閣樓上的女孩
珍·路易莎·凱利,索菲亞·卡里埃,基南·特雷西七月寒潮
邁克爾·C·豪爾,山姆·夏普德,唐·約翰遜,凡妮莎·肖,懷亞特·拉塞爾多莉
法比娜·泰蕾茲,Russ Tiller,米夏琳娜·阿爾門多,Kate Cobb,伊桑·蘇普利,西恩·威廉·斯科特,Max the Impaler同類推薦
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
斷魂小丑
珍娜·凱內(nèi)爾,薩曼莎·斯卡菲迪,戴維·霍華德·桑頓,凱瑟琳·科科蘭,Pooya Mohseni,Matt McAllister,Michael Leavy,凱蒂·馬奎爾,吉諾·卡法雷利,Cory DuVal,Erick Zamora,Clifton Dunn,Xiomi Frans-Cuber,Julie Asriyan,瑪格麗特·里德,Kamal Ahmed故事發(fā)生在萬圣節(jié)的當(dāng)晚,塔拉(Jenna Kanell 飾)和道恩(Catherine Corcoran 飾)醉醺醺的從一個派對中離開,走在清冷的大街上,兩人打算去一家披薩店弄點吃的,一個小丑打扮的男人尾隨她們也進(jìn)入了店里,雖然小丑的樣貌十分可怖,但個 性似乎還挺可愛的,除了他把店里的廁所弄的一團(tuán)糟,氣炸了店主?! ≈?,塔拉和道恩離開了店里,塔拉進(jìn)入了一間公寓上廁所,道恩在路邊等她,小丑再度出現(xiàn)在了她的身后,這一次,小丑想做的便不僅僅是逗她笑這么簡單了。小丑打暈了塔拉,當(dāng)塔拉再度醒來時,映入眼簾的,是被倒掛的道恩和在一邊手持電鋸的小丑。
牧群
The first feminist vegan horror film, The Herd has been rejected by some film festivals for being too horrific or political. A number of kidnapped women are kept imprisoned in a squalid medical facility condemned to a life of enforced servitude at the whims of their captors, without any hope of rescue or escape.
湯姆·賽格拉:好為人師
湯姆·賽格拉Tom Segura Fast-Tracking Fifth Original Netflix Special ‘Teacher’ For December Premiere
靈蝕
桑德拉·埃斯卡塞納,布魯納·岡薩雷斯,克勞蒂亞·普萊瑟,伊凡·查韋羅,安娜·托倫特,康斯薇洛·特魯希略,安吉拉·費比安,卡拉·坎普拉自從父親死后,薇若妮卡就一直姊代母職照顧弟弟。思念父親的她,和兩個朋友在日全蝕那天,做了碟仙板以召喚她父親的靈體。不料就在日光完全遭到遮蔽同時,玻璃破碎,薇若妮卡陷入恍惚狀態(tài)然后昏迷,朋友們也嚇得驚慌失措。薇若妮卡清醒后回家,卻開始發(fā)現(xiàn)一些異象:東西自己會移動、看不見的地方傳來正體不明的呼吸聲……她覺得是她把父親帶回了生者的世界,可是這些異象卻越發(fā)不懷好意,讓她備感威脅。在弟弟的幫助下,薇若妮卡展開一項儀式要脫離靈體糾纏,卻召喚出始料未及的恐怖幻影,雖然薇若妮卡勇敢地抵抗,但她卻渾然不知可怕的后果正等著她……