劇情簡(jiǎn)介
私家偵探接受謎樣女子Ren的委託，在森林大海撈針?biāo)频貙ふ乙恢нz失的勞力士錶，手錶奇蹟般地被找到，但沾黏在錶上的肉塊碎屑卻令他起疑。任務(wù)完成後，Ren又請(qǐng)他尋找之前在歌舞伎町酒吧工作卻失蹤多時(shí)的多繪。好奇手錶背後的真相，偵探再次接下委託展開尋人任務(wù)，卻也因此捲入一個(gè)肉慾橫流的瘋狂世界。
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三傻大鬧寶萊塢
阿米爾·汗,卡琳娜·卡普爾,馬達(dá)范,沙爾曼·喬希,奧米·瓦依達(dá),博曼·伊拉尼,莫娜·辛格,拉杰夫·拉賓德拉納特安本片根據(jù)印度暢銷書作家奇坦·巴哈特（Chetan Bhagat）的處女作小說《五點(diǎn)人》（Five Point Someone）改編而成。法蘭（馬德哈萬 R Madhavan 飾）、拉杜（沙曼·喬希 Sharman Joshi 飾）與蘭喬（阿米爾·汗 Aamir Khan 飾）是皇家工程學(xué)院的學(xué)生，三人共居一室，結(jié)為好友。在以嚴(yán)格著稱的學(xué)院里，蘭喬是個(gè)非常與眾不同的學(xué)生，他不死記硬背，甚至還公然頂撞校長(zhǎng)“病毒”（波曼·伊拉尼 Boman Irani 飾），質(zhì)疑他的教學(xué)方法。他不僅鼓動(dòng)法蘭與拉杜去勇敢追尋理想，還勸說校長(zhǎng)的二女兒碧雅（卡琳娜·卡普 Kareena Kapoor 飾）離開滿眼銅臭的未婚夫。蘭喬的特立獨(dú)行引起了模范學(xué)生“消音器”（奧米·維嘉 Omi Vaidya 飾）的不滿，他約定十年后再與蘭喬一決高下，看哪種生活方式更能取得成功?！ ”酒@孟買電影博覽獎(jiǎng)最佳影片、最佳導(dǎo)演、最佳配角（波曼·伊拉尼）、最佳劇本等六項(xiàng)大獎(jiǎng)，并獲國(guó)際印度電影協(xié)會(huì)最佳影片、最佳導(dǎo)演、最佳劇情、最佳攝影等十六項(xiàng)大獎(jiǎng)。
此時(shí)此地
蒙·康菲多,Lesley Lina,Yukihiko Mizomoto,尾野真千子,曼尼·帕奎奧,田邊桃子,Lou Veloso,Buboy Villar,結(jié)城貴史職業(yè)拳擊手神山英次在菲律賓試圖東山再起，卻始終未能獲得比賽機(jī)會(huì)，轉(zhuǎn)眼已至不惑之年。就在此時(shí)，長(zhǎng)期失聯(lián)的女兒桃子突然造訪，命運(yùn)的齒輪由此轉(zhuǎn)動(dòng)。失去母親后無處可去的桃子，漂洋過海來投奔父親。 異國(guó)菲律賓的屋檐下，這對(duì)父女開始了生澀的同居生活。血緣的羈絆難以輕易填補(bǔ)十余年的空白，兩人笨拙地摸索著親子關(guān)系的形狀。 女兒身上總帶著“另一個(gè)自己”的影子，這段充滿磕絆卻暗藏溫情的日常，讓曾經(jīng)視野狹隘的神山逐漸學(xué)會(huì)環(huán)視周遭——塬來注視著他的，不止是桃子，還有更多人的目光…… 當(dāng)比賽機(jī)會(huì)奇跡般降臨，英次為贏得屬于他們的容身之處毅然踏上擂臺(tái)。這部以拳擊為背景的作品，最終講述的是關(guān)于“父”與“子”共同成長(zhǎng)的生命物語(yǔ)。
請(qǐng)以你的名字呼喚我
艾米·漢莫,提莫西·查拉梅,邁克爾·斯圖巴,阿蜜拉·卡薩,艾斯特·加瑞爾,維克圖瓦爾·杜布瓦,旺妲·卡布里奧羅,安東尼奧·里莫爾迪,埃琳娜·布奇,馬可·斯格羅索,安德烈·艾席蒙,彼得·斯皮爾斯故事發(fā)生在八十年代的意大利里維埃拉，每年夏天，十七歲的少年艾力奧（提莫西·查拉梅 Timothée Chalamet 飾）都會(huì)跟家人一起來此地度假。今年，和他們共享假日時(shí)光的，還有來自美國(guó)的奧利弗（艾米·漢莫 Armie Hammer 飾），高大英俊熱情開朗的奧利弗很快就獲得了艾力奧一家人的喜愛。隨著時(shí)間的推移，艾力奧和奧利弗之間漸漸產(chǎn)生了致命的吸引力，但性別和年齡的桎梏讓他們遲遲無法跨出那關(guān)鍵的一步，與此同時(shí)，單純善良的少女馬奇婭（艾斯特·加萊爾 Esther Garrel 飾）也向艾力奧奉獻(xiàn)著自己的感情和身體。最終，洶涌的激情沖破了艾力奧和奧利弗之間的防線，兩人開始了一段注定不會(huì)有結(jié)果的戀情。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
外星人爆發(fā)
Ritchie Crane,Katherine Drake,Philip Alexander Baker,Ian Rowe,克里斯·巴尼科特,Tom Menary,Gemma Wilks,吉米·本內(nèi)特In a small rural community local police officers Zoe and Patrick begin their shift as normal but it soon becomes clear that something is wrong. Strange events unfold before their eyes, residents begin behaving strangely and mass suicide panic spreads amongst the community they are trying to protect. Zoe and Patrick realise they are under siege from alien machines as they become cut off from the outside world. They are forced to do battle against these uninvited visitors. With the help of some of the residents Zoe and Patrick begin unravelling the mystery and soon discover it is not all as it seems. Can Zoe and Patrick save their community and the outside world from extinction? 在一個(gè)小的農(nóng)村社區(qū)，當(dāng)?shù)鼐熳粢梁团撂乩锟碎_始正常換班，但很快就清楚出了問題。奇怪的事情展現(xiàn)在他們眼前，居民開始奇怪的行為，大規(guī)模的自殺恐慌在他們?cè)噲D保護(hù)的社區(qū)中蔓延。佐伊和帕特里克意識(shí)到，當(dāng)他們與外界隔絕時(shí)，他們正受到外來機(jī)器的圍攻。他們被迫與這些不速之客作戰(zhàn)。在一些居民的幫助下，佐伊和帕特里克開始解開這個(gè)謎團(tuán)，很快發(fā)現(xiàn)它并不像看上去的那樣。佐伊和帕特里克能拯救他們的社區(qū)和外部世界免于滅絕嗎？
保護(hù)者2025
米拉·喬沃維奇,馬修·莫迪恩,D·B·斯威尼,唐·哈維,邁克爾·斯塔爾-大衛(wèi),濱村洋子,特夏斯·巴特爾,伊莎貝爾·邁爾斯,布魯克林·蘇丹諾,麗迪雅·赫爾,澤維爾·埃斯特拉達(dá),茲亞·格拉卡,Telles Alberto Rene,Lizeth Lopez,Gabriel Sloyer,Arica Himmel,Justin Hurr,Eric Weiss,Shane Williams,Nick GentaFormer war hero Nikki's peaceful life is shattered when her daughter is kidnapped. Thrust into the criminal underworld while hunted by cops and military, she must fight to rescue her child.
一馬當(dāng)先
Biju Menon,阿西夫·阿里,Miya George退休的副警察局長(zhǎng)烏達(dá)亞巴努（Udhayabhanu）在電視節(jié)目中講述了他職業(yè)生涯中的一些事件。這就是他如何揭示其職業(yè)生涯中具有里程碑意義的 “切帕南托塔案 ”中耐人尋味的細(xì)節(jié)。當(dāng)嚴(yán)厲的巡回督察賈亞山卡爾（Jayashankar）和巡警卡爾蒂克（Karthik）開始一起工作時(shí)，一連串的事件就開始了。他們經(jīng)常因?yàn)樘幚砬闆r和解決問題的方法不同而發(fā)生沖突。在家人、朋友、敵人和上司的注視下，他們以各自獨(dú)特的風(fēng)格，試圖解開糾纏不清的困境。誰能迎接挑戰(zhàn)，又能以多快的速度完成任務(wù)？