忘記我是誰
格朗(愛德華多·諾列加 Eduardo Noriega 飾)患有罕見的嚴重失憶癥,就連幾分鐘前剛剛發(fā)生的事情,他也無法記得。對于失憶的格朗來說,妻子伊莎貝(娜塔莉·理察德 Nathalie Richard 飾)、孩子安東尼(Lény Bueno 飾)和死黨弗雷德(埃里克·卡拉瓦卡 Eric Caravaca 飾)不過都只是陌生人而已,每天都是新的一天。為了維持正常的生活,格朗只能把發(fā)生的所有事情都如數(shù)記載本子上。 某日,公司里來了一位名叫伊蓮(安娜·莫格拉莉絲 Anna Mouglalis 飾)的新職員,隨著時間的推移,伊蓮漸漸迷戀上了擁有獨特氣息的格朗。然而,格朗的癥狀成為了阻礙兩人關系的絆腳石,在忘卻的土壤里,愛情能夠順利生根發(fā)芽嗎?
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熱門影視 大家都在看
落葉球
David Koberidze,Otar Nijaradze惡夢偵相
Yalitza Aparicio我當你兄弟
文斯·沃恩,詹姆斯·麥斯登,艾莎·岡薩雷斯,凱斯·大衛(wèi),斯蒂芬·魯特,吉米·塔特羅,埃米麗·漢普希爾,劉易斯·陳,本·施瓦茨,阿圖羅·卡斯特羅,迪倫·普萊費爾,大衛(wèi)·湯姆林森,保羅·程,凱特琳·貝肯,Sara Angelica,Mackenzee Cullen,Scott Cloney,德里克·詹姆斯·特拉普再見十八班
柯焱曦,熊婧文,秦海無限:未知對象
托莉·巴特勒-哈特,伊恩·麥克萊恩,康勒斯·希爾,格雷厄姆·巴特勒,Ben Lee,Holly Dale Spencer,Chris Hart,Wendy Muir Hart家用攝像頭
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朱橘
朝代更迭、戰(zhàn)亂四起,國家外臨強敵、內(nèi)遭瘟疫。流民孤兒顧小樹與王爺世子李逸自幼相伴,情誼深厚。不料王爺突下追殺令,李逸迫于身份,只得暗中護送男主逃離城邦,并忍痛割席斷交反目。男主在林中遭人伏擊,幸得女箭客相救,同時有黑衣人透露其身世線索。為探尋真相,二人結伴踏上旅途,逐步揭開隱藏在追殺令背后的驚天仇恨與隱秘過往。
不死之人
安東·迪夫倫,哈澤爾·考特,克里斯托弗·李邦納博士計劃通過更年輕、更健康的人類受害者周期性的腺移植來永生。邦納看起來大約40歲,他真的104歲了。但是人們開始懷疑了,他可能不會到200歲。
X--未知的元素
Dean Jagger,Edward Chapman,Leo McKern,Anthony NewleyBritish Army radiation drills at a remote Scottish base attract a subterranean, radioactive entity of unknown nature that vanishes, leaving two severely radiation-burned soldiers... and a "bottomless" crack in the earth. Others who meet the thing in the night suffer likewise, and with increasing severity; it seems to be able to "absorb" radiation from any source, growing bigger and bigger. What is it?? How do you destroy a thing that "feeds" on energy?
寂靜的朋友
梁朝偉,盧娜·韋德勒,恩佐·布魯姆,蕾雅·賽杜,西爾維斯特·格羅特,黃云,盧卡·瓦倫蒂尼,菲利克斯·布羅斯,賴納·博克,瑪萊內(nèi)·布羅,厄文·吉瑟,約翰內(nèi)斯·赫格曼,斯凱·霍夫曼,約翰內(nèi)斯·沙伊德魏勒,馬丁·烏特克在德國一座中世紀大學城的植物園中,一棵古老的銀杏樹靜靜矗立,見證著三個時代中人與自然之間的深層聯(lián)結。1908年,大學首位女性學生透過攝影鏡頭,在植物的微觀結構中發(fā)現(xiàn)宇宙的神圣秩序;1972年,一位沉默的青年在觀察天竺葵的過程中,悄然改變了對世界的感知;2020年,一位來自香港的神經(jīng)科學家在研究嬰兒意識的同時,與這棵樹展開一場意想不到的實驗。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster