爭艷女王

戰(zhàn)國奇譚妖刀傳劇場版

上身

　　同居男友許一恒遭遇事業(yè)難關(guān)，此時女友成心不但發(fā)現(xiàn)自己懷了孕，還獲知許一恒跟閨蜜馬可好上了，而馬可家境殷實，能夠幫助他渡過絕境。成心因為深愛，選擇成全，離開許一恒，并做了人流手術(shù)，不料這胎兒竟成了“嬰靈”點點。后來點點決定“帶走”成心，慧化大師用佛法感化點點，并將其“交給了佛”。不久成心再受邪祟之擾，點點冒險回來搭救，也還原了真相……借此告誡切莫輕易墮胎，佛門有曰“五逆重罪”，墮胎必是冤孽。

哈佛少女的快樂清單

　　凱麗（蓓爾·保利 Bel Powley 飾）是名聲大噪的天才少女，18歲便獲得了哈佛大學的畢業(yè)證書。雖然每個人都覺得凱麗擁有著前途無量的未來，但對于凱麗來說，每一天她都生活在郁悶和沮喪之中。凱麗的母親自幼就離開了她，如今，相依為命的父親派爾必（加布里埃爾·伯恩 Gabriel Byrne 飾）竟然也決定組建新的家庭?！　〔煊X到了凱麗的彷徨，父親將名為佩特羅夫（內(nèi)森·連恩 Nathan Lane 飾）的心理醫(yī)生介紹給了凱麗，佩特羅夫給了凱麗一份清單，上面羅列著六項任務(wù)，佩特羅夫向凱麗保證，只要她完成了這兩項任務(wù)，就能夠重新找回快樂，一切真的如他所說的那么簡單嗎？

恐怖猴玩偶

　　Upon their mother’s death, siblings Jenny and Marshall return to renovate her crumbling motel, The Jolly Monkey. But as they work, a deadly force tied to their family’s dark past emerges, forcing them to face terrifying truths if they want to survive.

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster