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劇情提要
她的秘密過去,EGEN丈夫的秘密......哥斯達(dá)黎加最流行的大人女星誰是即將退休的女演員大人住在和平后,但一個好的會計師后娶了她的丈夫,胸部kyeonen有一種感覺對不起他。哥斯達(dá)黎加沒有在愛您滿意的性生活沒有靈魂丈夫,但性關(guān)系的男人。有一天男主角童年的朋友和米洛復(fù)出權(quán)利回到家哥斯達(dá)黎加拒絕它。最終,米洛是balhiget丈夫哥斯達(dá)黎加哥斯達(dá)黎加的過去。
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樸寶英,周元,江星忘我星途
Vino G. Bastian,迪婭·潘德拉,Agus Kuncoro女人
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大衛(wèi)·法里爾,迪倫·里夫,大衛(wèi)·斯塔爾,哈爾·卡普,戴維·達(dá)馬托同系列推薦
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等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
尤哈
尤哈(薩卡里·庫斯曼嫩 Sakari Kuosmanen 飾)和瑪利亞(卡蒂·奧廷寧 Kati Outinen 飾)是一對生活在幸福和平淡之中的老夫少妻,兩人住在他們經(jīng)營的農(nóng)場里,離群索居不問世事。一天,一個名叫辛麥卡(安德烈·維爾姆斯 André Wilms 飾)的男人來到了農(nóng)場,他的車拋錨了。善良的尤哈邀請辛麥卡在農(nóng)場過夜,哪知道就此為自己找了個麻煩。 原來,辛麥卡是一個油嘴滑舌的花花公子,他花言巧語誘惑和哄騙了瑪利亞,最終,瑪利亞決定和辛麥卡私奔。然而,來到了大城市后,辛麥卡才露出了自己的真面目,他將瑪利亞賣到了一家妓院里替自己工作。當(dāng)尤哈得知了瑪利亞的近況后,他決定向辛麥卡尋仇。