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幽閉空間
杰森·帕特里克,路易莎·克勞瑟,馬克·馬戈利斯THE CONFINES is a claustrophobic thriller that follows a troubled young woman who, in a last-ditch effort at getting her life together, takes a job working nights as a security guard at an abandoned luxury apartment building. Stuck with a brusque rent-a-cop as her partner, she tries to not let her mind play tricks on her while she patrols the empty halls. But as the night progresses strange things begin to happen - and she realizes it may not all be in her head.
不可饒恕2013
渡邊謙,柄本明,佐藤浩市,柳樂優(yōu)彌,忽那汐里,小池榮子,國村隼,近藤芳正,小澤征悅,三浦貴大,滝藤賢一結(jié)束了德川幕府的統(tǒng)治，明治政府巍然確立。當(dāng)年叱咤風(fēng)云的“劊子手”釜田十兵衛(wèi)（渡邊謙 飾），作為幕府余黨在荒蕪寒冷的北海道過起隱姓埋名的生活。他當(dāng)年對亡妻許下封印殺人刀的約定，通過勞作養(yǎng)活自己和兩個孩子，但殘酷的生存環(huán)境仍讓他感到力不從心。這一日，十兵衛(wèi)當(dāng)年的戰(zhàn)友馬場金吾（柄本明 飾）前來造訪。原來附近一座小鎮(zhèn)上，美麗的妓女夏目（忽那汐里 飾）被粗暴的女人毀容，但是警察署長大石一藏（佐藤浩市 飾）卻包庇縱容。夏目的同伴們湊錢尋找賞金殺手，無奈膽敢來犯的人們均被大石殘暴摧折。為了改善孩子們的生活，十兵衛(wèi)和馬場上路，并在路上結(jié)識了懷著同一個目標(biāo)的阿伊努族青年（柳樂優(yōu)彌 飾）。三人一路同行，等待他們的將是未知的命運…… 本片翻拍自克林特·伊斯特伍德的同名之作。
杯酒人生
保羅·吉亞瑪提,托馬斯·哈登·丘奇,維吉妮婭·馬德森,吳珊卓,瑪麗路易絲·貝克,杰西卡·赫特,米茜·多蒂,邁克·康納·蓋尼,阿萊西婭·雷納,謝可·圖克馬尼安,肖恩·杜克,羅伯特·科瓦呂比亞,派崔克·蓋勒,斯蒂芬妮·法拉希,喬·馬里內(nèi)利,皮特·丹尼斯,菲爾·里夫斯,萊茜·雷邁爾斯（保羅?吉亞瑪提 Paul Giamatti 飾）和杰克（托馬斯?哈登?丘奇 Thomas Haden Church 飾）是老朋友了，看著杰克即將踏入婚姻殿堂，邁爾斯更加感嘆起自己失敗的生活：婚姻失敗、作家夢遙不可及、干著無聊枯燥的職業(yè)、不再年輕的歲數(shù)。邁爾斯對葡萄酒的研究頗為深厚，于是兩個人決定前往加州的葡萄酒生產(chǎn)基地狂歡一次，如果遇上一夜情當(dāng)然是最好不過了?！ 」欢嗽诰葡銤庥舻募又萦錾狭伺写退膩喴崤笥?，邁爾斯和杰克的艷遇讓兩人都興奮不已。然而接下來的事情卻大掃興致。他們的狂歡計劃充滿了障礙。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
恐影檔案
Thomas Dekker,Robert Englund,Fiona DourifA doctor works to cure patients suffering from crippling phobias by placing them inside his invention which induces and controls hallucinations.
黑蜥蜴1962
京町子,大木實,川口浩,葉順子,三島雅夫,目黒幸子,中條靜夫,久里千春亂步作品