脫衣女仆2

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

她的重生

　　影片在舒緩的節(jié)奏下呈現(xiàn)了一位女性重塑自我之路，故事主人公安娜為她十幾歲時(shí)犯下的謀殺罪已經(jīng)服刑15年，雖然服刑期滿，但周圍異樣的眼神意味著 對(duì)她的審判仍未結(jié)束。安娜離家遠(yuǎn)行來(lái)到一個(gè)小鎮(zhèn)并找到工作，準(zhǔn)備開(kāi)啟新生活，但她仍需與封閉、恐懼、偏見(jiàn)不停斗爭(zhēng)，那些舊日時(shí)光留下的黑洞，必須由她親自填補(bǔ)。

小鎮(zhèn)殺手

一百樣?xùn)|西

　　安東尼（馬提亞斯·施維赫夫 Matthias Schweigh?fer 飾）和保羅（弗洛里安·大衛(wèi)·弗里茨 Florian David Fitz 飾）是從小玩到大的青梅竹馬，兩人共同經(jīng)歷了太多的事情，彼此之間的友誼堅(jiān)不可破。成年之后，他們一起創(chuàng)辦了一家公司，這一天，公司覓得了一名非?？犊耐顿Y人，為了慶祝這件事情，公司里開(kāi)設(shè)了一場(chǎng)盛大的派對(duì)，在派對(duì)上，玩的興起的安東尼和保羅決定打一個(gè)賭，賭注是公司百分之五十的股份?！　“矕|尼和保羅交出了身上所有的東西，兩人回歸到身無(wú)分文的狀態(tài)，然后每一天，他們都可以在他們所擁有的東西里拿回一件，如此往復(fù)，看誰(shuí)能夠撐更長(zhǎng)的時(shí)間，先放棄的人就是輸家。

界障

康納·馬什與他的狗桑迪過(guò)著隱居生活，直到有一天他開(kāi)始玩一款新的、尖端的電腦游戲——OBEX。當(dāng)桑迪失蹤后，現(xiàn)實(shí)與游戲之間的界限開(kāi)始模糊，康納不得不踏入OBEX這個(gè)奇異的世界，去把她帶回家。

求藥

　　影片講述父親張釋全因過(guò)失導(dǎo)致女兒身亡后誤入邪教，試圖通過(guò)求取神藥救治重病兒子，在目睹妻子遭受邪教迫害后幡然醒悟，最終聯(lián)合妻子揭露邪教并將其繩之以法，使兒子獲得正規(guī)醫(yī)療救治的故事。