影片推薦
逃離地下天堂
麥克爾·約克,理查德·喬丹,珍妮·艾加特,羅斯科·李·布朗尼,費拉·福賽特,小邁克爾·安德森,彼得·烏斯蒂諾夫,Randolph Roberts,Lara Lindsay,Gary Morgan,勞拉·海佩英雄三元里
嚴(yán)屹寬,劉秋實,孫昊,聞雨,王光輝,孫蛟龍,陶奕希,方洋飛,文東俊,李圣雄,王禹森,呂文軍,陸豐,愛多,馬鐵摩馬路天使
珍妮·蓋諾,查爾斯·法萊爾,娜塔莉·金斯頓,亨利·阿爾梅塔,圭多·特倫托,阿爾貝托·拉巴利亞蒂,路易斯·利格特,彌爾頓·迪克森血戰(zhàn)到底2025
李恰,于莫凡,李博,呂晨陰陽鏡
淮文,鄧靖弘 Jinghong Deng,江萊,張躍濱,曾廣泉,司珂華,肖沅希,王軍,李榮博狄仁杰之彼岸奇花
陳浩民,尚娜,劉金,金寧,崔冬辰,陳宇星,劉威州同類精選
影視排行
定時拍攝
丹妮爾·帕娜貝克,馬特·歐萊瑞,阿明·約瑟夫,莎朗·摩翰,喬治·芬,杰森·斯皮薩克,David Figlioli,Judith Drake,Mark C. Hanson某座住宅區(qū),負(fù)責(zé)公寓內(nèi)各項維修事務(wù)的菲恩(Matt O'Leary 飾)和約瑟(George Finn 飾)是一對窮的叮當(dāng)響的好基友。某天菲恩的女友凱莉(Danielle Panabaker 飾)來到他們的住處,當(dāng)?shù)弥≡诟舯诘呢愊壬呀?jīng)很長時間沒走出房門時,凱莉自告奮勇上門查看,結(jié)果卻一臉錯愕地回到二人面前。原來貝先生早已不見蹤影,房間內(nèi)一面墻貼滿了以三個人為對象的拍立得照片,窗口則有一臺奇怪的機器正對著菲恩和約瑟的房間。不久后他們發(fā)現(xiàn),那臺機器竟是可以拍攝到未來情景的照相機。他們發(fā)現(xiàn)了貝先生的尸體,然而因為照相機的原因秘藏了此事?! o意間擁有了窺視未來的手段,年輕人們的心不知不覺躁動起來……
怪形
庫爾特·拉塞爾,威爾福德·布利姆雷,TK·卡特,大衛(wèi)·科列儂,凱斯·大衛(wèi),理查德·戴薩特,查爾斯·哈拉漢,Peter Maloney,理查德·馬蘇爾,唐納德·莫法特,喬爾·波利斯,托馬斯沃特斯,諾伯特·魏塞爾,拉瑞·弗蘭科,納特·歐文,阿德里安娜·巴比歐,約翰·卡朋特,杰德1982年冬天,挪威科考隊的一架直升機突然打破了南極大陸的平靜,直升機瘋狂的追逐一只雪橇犬,最后墜毀在美國科考營地的附近。美國科考隊員對挪威考察隊近期人員驟減的情況有所耳聞,于是飛行員麥克(Kurt Russell 飾)與眾人趕赴挪威營地,結(jié)果看到的是一地破敗中四處散落著奇怪的尸體,并有證據(jù)表明挪威人得到了某種冰封狀態(tài)中的生物。醫(yī)生布萊爾(Wilford Brimley 飾)研究了尸體的變異卻無法破解成因。當(dāng)晚,犬籠中的狗遭到襲擊并發(fā)生了變異,一種不可知的生物正在這孤寂的南極大陸威脅著科考隊員們的生命…… 本片翻拍自1951年由霍華德?霍克斯指導(dǎo)的《The Thing From Another World》。
利益區(qū)域
克里斯蒂安·富里道爾,桑德拉·惠勒,約翰·卡特豪斯,拉爾夫·赫爾福特,弗雷婭·克羅伊茨卡姆,馬克斯·貝克,伊摩根·蔻格,斯蒂芬妮·佩特羅維茨,拉爾夫·齊爾曼,瑪麗·羅莎·提特言電影講述了奧斯維辛集中營的指揮官魯?shù)婪颉せ羲购退钠拮雍5罗备裨诩袪I旁的一所房子里和花園中為他們的家庭打造夢想生活的故事。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster