我姐姐的朋友

毛骨悚然撞鬼經(jīng) 2021特別篇

欣德·拉賈布之聲

　　突尼斯導(dǎo)演考塞爾·本·哈尼亞將把巴勒斯坦六歲女童欣德·拉賈布的悲劇搬上銀幕。2024年1月29日，欣德乘坐的車輛在加沙遭以色列軍隊襲擊，她被困車中通過電話絕望求救，12天后被發(fā)現(xiàn)與家人一同遇難。影片將追溯這通生死未卜的求救通話背后，一個幼小生命在戰(zhàn)爭廢墟中的最后時刻。                        

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

絕命47小時

　　兩個不善社交的少女，一天晚上無聊，轉(zhuǎn)向互聯(lián)網(wǎng)尋找恐怖故事。他們在一個令人毛骨悚然的網(wǎng)絡(luò)上找到了一個游戲，聲稱你可以用你的手機來召喚超自然...如果你輸了比賽...你失去了生命