影片推薦
汽車旅館人生
極限審判
克里斯·帕拉特,麗貝卡·弗格森,卡莉·瑞斯,安娜貝爾·沃利斯,克里斯·沙利文,凱萊·羅杰斯,杰夫·皮埃爾,拉菲·格拉沃恩,肯尼斯·崔,杰米·麥克布萊德,羅斯·格斯拉,馬克·達(dá)內(nèi)里,海頓·道爾頓,邁克爾·C·馬洪,諾亞·費(fèi)恩利,庫里·普拉特,杰·杰克遜,馬哈茂德·馬哈茂德,安雅·阿克斯丁,理查德·賽特倫復(fù)仇天使
弗朗西斯卡·伊斯特伍德,小克利夫頓·克林斯,邁克·韋爾奇,莉亞·麥肯德里克,彼得·瓦克,安德魯·卡德威爾,大衛(wèi)·蘇利文,亞當(dāng)·拉扎爾-懷特,戴維·哈,邁克·C·曼寧,馬龍·楊三十九級臺階
羅伯特·多納特,瑪?shù)铝铡た?露西·曼海姆,戈弗雷·特爾,佩吉·阿什克羅福特,約翰·勞里,海倫哈耶,懷利·沃森,格斯·麥克諾頓,查爾斯·貝內(nèi)特,馬修·博爾頓,阿爾弗雷德·希區(qū)柯克,邁爾斯·馬勒森,弗雷德里克·派珀,約翰·特恩布爾,Frank Cellier,Jerry Verno,Peggy Simpson,Ivor Barnard,Noel Birkin,Carleton Hobbs,Vida Hope,Elizabeth Inglis,James Knight,Hilda Trevelyan,S.J.一個叫小小船的男孩
J·K·西蒙斯,杰克·布塞,諾爾·古格雷米,盧·坦普爾,麗莎·德·拉佐,伯納德·庫里,Patricia Kalis,Jamille James,尼克·法內(nèi)爾,Julian Atocani Sanchez,Addam Bramich,Miranda Skerman,Keanu Wilson,Zeyah Pearson,杰西卡佩斯爆彈
山田裕貴,伊藤沙莉,染谷將太,渡部篤郎,佐藤二朗同類精選
影視排行
沖繩小芙蓉
蔵下穂波,余貴美子,照屋政雄,平良富,NESMITH,亀島奈津樹,和田聡宏,登川誠仁座落沖繩的「Hotel Hibiscus」，雖然名為酒店，卻是只有一間客房的古舊民宿。里面住著小三女生美惠子和她的家人。美惠子活潑好動，每天和朋友一起去探險(xiǎn)。某日，美惠子放學(xué)回家時，遇到了倒在地上的青年，并把他帶回Hotel Hibiscus… 導(dǎo)演中江裕司繼《Nabbie's Love》四年后的新作，《Hotel Hibiscus》繼續(xù)以沖繩為舞臺。電影改編自Nakasone Miiko的同名漫畫，描寫小三女生美惠子的冒險(xiǎn)和成長。飾演美惠子的蔵下穗波是在3千名沖繩小學(xué)生中挑選出來，合演者包括平良Tomi、沖繩民謠歌手照屋政雄、余貴美子等。
美國小說
杰弗里·懷特,翠西·艾利斯·羅斯,約翰·奧提茲,伊薩·雷,斯特林·K·布朗,埃里卡·亞歷山大,萊斯利·格塞斯,亞當(dāng)·布羅迪,凱斯·大衛(wèi),邁拉·盧克利希亞·泰勒,雷蒙德·安東尼·托馬斯,奧基里特·奧諾多瓦,米麗婭姆·肖爾,邁克爾·西里爾·克賴頓,派特里克·費(fèi)斯克勒,尼爾·勒納,J·C·麥肯澤,詹·哈里斯,貝茨·懷爾德,邁克爾·吉布林失意的小說家兼教授塞隆尼斯·“蒙克”·埃里森（杰弗里·懷特 Jeffrey Wright 飾）出于怨恨，用開玩笑的方式寫了一本小說，書中充斥著古怪刻板印象的黑人形象。不料這本書出版后大受好評，不僅獲得文學(xué)大獎，還被拍成電影。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
陰陽師2001
野村萬齋,伊藤英明,今井繪理子,小泉今日子 Ky?ko Koizumi,真田廣之,夏川結(jié)衣,寶生舞,矢島健一,石丸謙二郎,柄本明,岸部一德,萩原圣人公元794年，日本桓武天皇時期，京都長岡被其胞弟早良親王怨靈詛咒，天災(zāi)人禍不斷。桓武天皇被迫遷都平安京，由此開啟四百年平安時代序幕。彼時權(quán)貴內(nèi)部斗爭激烈，人民生活疾苦，世間因此怨靈叢生，人、鬼與怪物屏息同棲。隸屬于宮廷陰陽寮的陰陽師們，作為平衡天、地、人、鬼間矛盾的存在，自此活躍在歷史舞臺上，其中最為耀眼的便是身世成謎的安倍晴明（野村萬齋 飾）。右近衛(wèi)中將源博雅（伊藤英明 飾）受托拜訪安倍晴明，被所目睹的奇異景象及晴明的個人魅力深深折服；晴明亦被博雅正直的品德吸引。故事便從兩人宿命相識，結(jié)下珍貴情誼開始?！ m廷內(nèi)近來異事頻發(fā)。左大臣藤原師輔之女誕下敦平親王，嬰兒降世卻身負(fù)詛咒。晴明招來蜜蟲（今井繪理子 飾）和神秘女子青音（小泉今日子 飾），與博雅一同化解惡咒，卻反遭誣陷。原來一切皆是陰陽頭道尊（真田廣之 飾）所為。他利用左右大臣間矛盾與后妃間爭寵頻生事端，更欲召喚出150年前的最強(qiáng)怨靈早良親王，將平安京徹底顛覆…… 影片根據(jù)夢枕貘《陰陽師》系列小說改編。