松樹博爾

★ 0.7 播放：01萬 更新：2026-05-08

1960年初，法國拉布勒海濱度假村。弗雷德里克和索菲姐妹在家庭教師奧黛特陪同下，與她們的姑姑貝拉、姑夫雷奧蒙代、表兄妹達(dá)尼埃爾、蘇珊、勒內(nèi)和迪蒂一同度假。她們的父親米歇爾留在里昂照看生意，母親萊娜則神秘地去了巴黎。弗雷德里克在日記中傾吐出內(nèi)心的秘密：她被大表兄達(dá)尼埃爾迷住了。幾年前他還是個(gè)孩子，現(xiàn)在卻已長大大人，頗有男子魅力。后來，蘇菲說萊娜和米歇爾要分手了。弗雷德里克把這件事寫入日記，并對此而不知所措。兩個(gè)女孩子在電話里向她們的母親萊娜抱怨奧黛特看管她們的方式，哭訴她們對媽媽的思念。萊娜告訴貝拉和雷奧她要離開米歇爾，并且已經(jīng)為自己和女兒們在巴黎找到了房子。她還告訴貝拉她有個(gè)情人... 　　

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劇情簡介

1960年初，法國拉布勒海濱度假村。弗雷德里克和索菲姐妹在家庭教師奧黛特陪同下，與她們的姑姑貝拉、姑夫雷奧蒙代、表兄妹達(dá)尼埃爾、蘇珊、勒內(nèi)和迪蒂一同度假。她們的父親米歇爾留在里昂照看生意，母親萊娜則神秘地去了巴黎。弗雷德里克在日記中傾吐出內(nèi)心的秘密：她被大表兄達(dá)尼埃爾迷住了。幾年前他還是個(gè)孩子，現(xiàn)在卻已長大大人，頗有男子魅力。后來，蘇菲說萊娜和米歇爾要分手了。弗雷德里克把這件事寫入日記，并對此而不知所措。兩個(gè)女孩子在電話里向她們的母親萊娜抱怨奧黛特看管她們的方式，哭訴她們對媽媽的思念。萊娜告訴貝拉和雷奧她要離開米歇爾，并且已經(jīng)為自己和女兒們在巴黎找到了房子。她還告訴貝拉她有個(gè)情人... 　　

導(dǎo)演精選

這就是我2026

主人公賢示自幼飽受性別認(rèn)同困擾，卻始終未放棄成為偶像的夢想。醫(yī)生和田在與賢示相遇后，首次直面性別認(rèn)同障礙的現(xiàn)實(shí)，并以賢示為首例親自主刀的性別重置手術(shù)患者。一個(gè)選擇活出自我，一個(gè)探索“真正的醫(yī)療”，兩人在偏見與孤獨(dú)中建立起深厚信任與羈絆。                                                                      　　本片改編自春菜愛與和田耕治的原著，講述開啟禁忌手術(shù)之門的真實(shí)故事。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

你行！你上！

　　這是一對父子的傳奇歷險(xiǎn)，也是兩個(gè)野心家的一拍即合。從沈陽到美國，從3歲到17歲，彈琴勝似取經(jīng)，八十八鍵多過八十一難，父子心無雜念，只管埋頭向前，兩人赤手空拳讓美國殿堂藝術(shù)精英們刮目相看。