美國(guó)啦啦隊(duì)

★ 0.9 播放：81萬(wàn) 更新：2026-05-09

英文名：H.O.T.S. (1979)，這是在其所有的榮耀赤裸上身臭名昭著的高層次思維。關(guān)于傲慢和熱聯(lián)誼會(huì)由女孩誰(shuí)形成自己的姐妹會(huì)隨著競(jìng)爭(zhēng)的可愛(ài)，大露背的棄兒女孩追逐的樂(lè)趣80的大學(xué)輕彈。很多赤裸上身游泳，毛巾打架，火爆的場(chǎng)面與男孩，以及校園惡作劇。前凸后翹的和大量的幽默。最終，女孩解決他們之間的分歧在一場(chǎng)比賽中帶鋼的足球。 　　

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英文名：H.O.T.S. (1979)，這是在其所有的榮耀赤裸上身臭名昭著的高層次思維。關(guān)于傲慢和熱聯(lián)誼會(huì)由女孩誰(shuí)形成自己的姐妹會(huì)隨著競(jìng)爭(zhēng)的可愛(ài)，大露背的棄兒女孩追逐的樂(lè)趣80的大學(xué)輕彈。很多赤裸上身游泳，毛巾打架，火爆的場(chǎng)面與男孩，以及校園惡作劇。前凸后翹的和大量的幽默。最終，女孩解決他們之間的分歧在一場(chǎng)比賽中帶鋼的足球。 　　

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等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

告別武器

 亨利（加里·庫(kù)柏 Gary Cooper 飾）是一位熱血沸騰的青年，戰(zhàn)爭(zhēng)爆發(fā)了，他自愿前往意大利，成為了一名救護(hù)車駕駛員。在意大利，亨利結(jié)識(shí)了名為凱瑟琳（海倫·海絲 Helen Hayes 飾）的美麗護(hù)士，之后，亨利因?yàn)槭軅凰瓦M(jìn)了米蘭醫(yī)院，在那里，他和凱瑟琳重逢了。住院期間，亨利和凱瑟琳墜入了情網(wǎng)，凱瑟琳的腹中亦懷上了亨利的骨肉。傷愈之后，亨利回到了戰(zhàn)場(chǎng)，卻發(fā)現(xiàn)我軍的士氣大跌，處處彌漫著慘淡的氣氛。上司開(kāi)始大量處決涉嫌逃跑的士兵，亨利亦難以幸免，他僥幸逃脫了自己人的槍子，他決定找到凱瑟琳，兩人逃離戰(zhàn)場(chǎng)，去過(guò)他們與世無(wú)爭(zhēng)的日子。然而，意大利警察的追捕緊隨其后，兩人踏上了逃亡的旅途。

瘋死

　　A teenager who stops off to see his dealer to test a new drug before heading off for a night of partying. On the way home, he picks up an injured woman and the night takes a surreal turn