黛比達(dá)拉斯

★ 4.7 播放：87萬(wàn) 更新：2026-05-11
主演： 未知/

此片的導(dǎo)演是Jim Clark，由當(dāng)年才十九歲的青春玉女Bambi Woods飾演女主角黛比。劇情敘述黛比是一個(gè)活潑可愛(ài)的女高中生，被推選為達(dá)拉斯女牛仔隊(duì)的啦啦隊(duì)員，然而她卻沒(méi)有錢(qián)可以前往，于是她和女黛比在達(dá)拉斯牛仔啦啦隊(duì)的花名冊(cè)上占有一席之地，在整部電影中僅被稱(chēng)為“德克薩斯”。唯一的問(wèn)題是黛比沒(méi)有足夠的錢(qián)自己去那里，她媽媽不想幫助她，所以她的朋友們決定幫助她，他們都在城里找零工來(lái)籌集資金. 一天，她的老板格林菲爾德先生找到了黛比，他首先出價(jià) 10 美元讓她看乳房，再給 10 美元讓她摸乳房，最后再給 10 美元讓她給乳房喂奶。她意識(shí)到他們可以通過(guò)提供性服務(wù)獲得更多的錢(qián)。當(dāng)格林菲爾德先生提出如果黛比幫助他實(shí)現(xiàn)他的幻想并讓他“觸地得分”，她愿意支付一切費(fèi)用時(shí)，她終于可以離開(kāi)了。debbie debbie do do daild d of dallas》》》林大學(xué)圖書(shū)館中拍的。不過(guò)，你從電影中可學(xué)不到什么知識(shí)友們?cè)谡n外打工要賺取旅費(fèi)，當(dāng)然這些女孩子要賺錢(qián)沒(méi)有那么容易，還是免不了要幫老師或老板提供性服務(wù)之類(lèi)的。在當(dāng)年影壇充斥暴力血腥恐怖片的沖擊之下，這部青春洋溢的校園色情喜劇片舒解了許多人的不安情緒，因?yàn)槊铨g少女和啦啦隊(duì)員正是美國(guó)男人的兩大最?lèi)?ài)。高中校園變成最佳的色情場(chǎng)景，讓人不禁回想起血?dú)夥絼偟哪贻p成長(zhǎng)時(shí)光，那正是體內(nèi)荷爾蒙對(duì)性充滿(mǎn)好奇的青澀歲月。

在線(xiàn)播放

劇情簡(jiǎn)介

此片的導(dǎo)演是Jim Clark，由當(dāng)年才十九歲的青春玉女Bambi Woods飾演女主角黛比。劇情敘述黛比是一個(gè)活潑可愛(ài)的女高中生，被推選為達(dá)拉斯女牛仔隊(duì)的啦啦隊(duì)員，然而她卻沒(méi)有錢(qián)可以前往，于是她和女黛比在達(dá)拉斯牛仔啦啦隊(duì)的花名冊(cè)上占有一席之地，在整部電影中僅被稱(chēng)為“德克薩斯”。唯一的問(wèn)題是黛比沒(méi)有足夠的錢(qián)自己去那里，她媽媽不想幫助她，所以她的朋友們決定幫助她，他們都在城里找零工來(lái)籌集資金. 一天，她的老板格林菲爾德先生找到了黛比，他首先出價(jià) 10 美元讓她看乳房，再給 10 美元讓她摸乳房，最后再給 10 美元讓她給乳房喂奶。她意識(shí)到他們可以通過(guò)提供性服務(wù)獲得更多的錢(qián)。當(dāng)格林菲爾德先生提出如果黛比幫助他實(shí)現(xiàn)他的幻想并讓他“觸地得分”，她愿意支付一切費(fèi)用時(shí)，她終于可以離開(kāi)了。debbie debbie do do daild d of dallas》》》林大學(xué)圖書(shū)館中拍的。不過(guò)，你從電影中可學(xué)不到什么知識(shí)友們?cè)谡n外打工要賺取旅費(fèi)，當(dāng)然這些女孩子要賺錢(qián)沒(méi)有那么容易，還是免不了要幫老師或老板提供性服務(wù)之類(lèi)的。在當(dāng)年影壇充斥暴力血腥恐怖片的沖擊之下，這部青春洋溢的校園色情喜劇片舒解了許多人的不安情緒，因?yàn)槊铨g少女和啦啦隊(duì)員正是美國(guó)男人的兩大最?lèi)?ài)。高中校園變成最佳的色情場(chǎng)景，讓人不禁回想起血?dú)夥絼偟哪贻p成長(zhǎng)時(shí)光，那正是體內(nèi)荷爾蒙對(duì)性充滿(mǎn)好奇的青澀歲月。

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　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

神探巴克希

　　本片講述大學(xué)剛畢業(yè)的神探巴克希，對(duì)抗一個(gè)想要破壞地球的邪惡天才的故事。主賓國(guó)影片《神探巴克?！酚捎《戎虡I(yè)電影導(dǎo)演迪巴卡爾·班納吉指導(dǎo)，融合懸疑、偵探、40年代等元素，塑造了一個(gè)印度“夏洛克·福爾摩斯”形象，有著強(qiáng)烈的人格魅力。影片有很強(qiáng)的故事性，動(dòng)作場(chǎng)面極具想象力，從演員服裝、外景設(shè)計(jì)、汽車(chē)道具都做到了一絲不茍。有張力的懸疑劇情能讓觀(guān)眾們?cè)?小時(shí)的觀(guān)影時(shí)間內(nèi)目不轉(zhuǎn)睛。

丹鳳眼

 故事圍繞黃瓊展開(kāi)，她8歲移民美國(guó)，始終難以融入周遭?？释谌朊绹?guó)社會(huì)的她，癡迷于贏(yíng)得“舞會(huì)皇后”頭銜，將其視作被接納的象征。當(dāng)親眼見(jiàn)證舞會(huì)皇后加冕 —— 那正是她向往成為的模樣時(shí)，這份執(zhí)念愈發(fā)強(qiáng)烈。為實(shí)現(xiàn)目標(biāo)，瓊發(fā)現(xiàn)了一項(xiàng)能改變種族的新科技，借此將自己變成了白人女孩。然而，當(dāng)她改造后的面容開(kāi)始衰敗，她的追求走向黑暗轉(zhuǎn)折，迫使她直面自身行為的后果。