団鬼六:花蛇
由日本著名情色作家團鬼六作品改編,左是經(jīng)典情色電影《花與蛇》系列的第四部沿襲系列的風(fēng)格,本的SM震撼場面有增無滅。大庭秀紀(jì)是一名英俊有為的牙醫(yī),但多年來仍然單身。他一直將護士直江當(dāng)作性奴隸,亦從麻醉女性病人而獲得性滿足。當(dāng)他遇上年青美麗的美貴,即情不自禁在她身上發(fā)洩滿腔慾火。但原來美貴和她的師傅伊藤夫人是對同性戀。大庭的色心越來越失控,他不單將美貴囚禁起來作私人性奴,連伊藤夫人。亦逃不過他的魔掌目睹一場惢一場厲害的SM角力和同性性愛高,直江妒火中燒,憤而將大庭的眼狠狠弄傷暫無內(nèi)容hellip;暫無內(nèi)容hellip;
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劇情簡介
由日本著名情色作家團鬼六作品改編,左是經(jīng)典情色電影《花與蛇》系列的第四部沿襲系列的風(fēng)格,本的SM震撼場面有增無滅。大庭秀紀(jì)是一名英俊有為的牙醫(yī),但多年來仍然單身。他一直將護士直江當(dāng)作性奴隸,亦從麻醉女性病人而獲得性滿足。當(dāng)他遇上年青美麗的美貴,即情不自禁在她身上發(fā)洩滿腔慾火。但原來美貴和她的師傅伊藤夫人是對同性戀。大庭的色心越來越失控,他不單將美貴囚禁起來作私人性奴,連伊藤夫人。亦逃不過他的魔掌目睹一場惢一場厲害的SM角力和同性性愛高,直江妒火中燒,憤而將大庭的眼狠狠弄傷暫無內(nèi)容hellip;暫無內(nèi)容hellip;
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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