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耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
克里斯蒂
西德尼·斯維尼,本·福斯特,梅里特·韋弗,凱蒂·M·奧布萊恩,托尼·卡瓦勒羅,伊?!ざ鞑祭?查德·科爾曼,杰西·加伯,邁爾斯·穆森登,比爾·凱利,阿爾特·紐柯克,史蒂芬妮·鮑爾,考特妮·格蕾絲,凱文·J·奧康納,阿德里安·洛克特,阿里莎·康納,科爾曼·佩迪戈,布萊恩·希巴德,塔瑪拉·霍普金斯,斯蒂芬·羅亞爾·菲利普斯影片講述美國著名拳擊運動員、“女洛奇”克里斯蒂·馬丁的故事??死锼沟賮碜悦绹鞲ゼ醽喼菪℃?zhèn)一個相對保守的家庭,當(dāng)時她作為一個年輕的女同性戀者不被允許做自己,所以用拳擊作為表達自己和憤怒的工具。她必須在生活中做出一些危險而根本的妥協(xié),其中最嚴(yán)重的是嫁給一個極其危險的男人。 1989年,馬丁遇到了她的經(jīng)紀(jì)人、后來的丈夫吉姆·馬丁,生活發(fā)生了轉(zhuǎn)變。她打破界限,成為第一個與金牌拳擊推廣人唐·金簽約的女性,也是唯一一個登上《體育畫報》封面的女拳擊手?! 】死锼沟俚镊攘?、漂亮外表和對賽場的適應(yīng)為她贏得了狂熱的粉絲群,并推動她成為次中量級冠軍。但在精心塑造的公眾形象背后,她面臨著個人內(nèi)心的惡魔、有毒的人際關(guān)系以及一次致命的謀殺事件。
偷偷喜歡你電影版
施柏宇,程予希,林子閎,賴雅妍,紀(jì)卜心,曾少宗,陳如山,黃柏峰,海裕芬,錢薇真,蘇達,鄭穎,張宸呈,吳函峮蘇明儀(程予希 飾)暗戀同校的顏立堯(施柏宇 飾)很久了,沒想到分班后成為同學(xué),顏立堯不受拘束的性格讓他經(jīng)常被風(fēng)紀(jì)股長蘇明儀“記名字”,記著記著,同時也在心里刻下了不可磨滅的印記,殊不知,卸下風(fēng)紀(jì)的她,只是一個暗戀他許久的傻女孩罷了。當(dāng)別人還在揮霍青春,年少的三人被迫提早面對人生的課題。 “其實,我早就喜歡你,只是不敢告訴你”? 故事線長達10年,懵懂的他們各自把秘密埋在心底,直到真正變成大人的那一天。
摩登神探
鄭則士,廖偉雄,羅烈阿燦(廖偉雄飾)與肥則(鄭則士飾)一對活貝警界立下不豐功偉績。但每次都是烏龍百出,錯有錯著之下破案的,一次因涉嫌收藏大陸的非法人蛇,倆人同被革除職務(wù)。二人于無意中得悉一名叫契爺?shù)暮谏鐣^子,擄去一富翁的小孫,但倆人是被革退的警員,又怎樣去處理或能否撲滅契的犯罪集團呢! 肥則為了娶阿芳(鄭麗芳飾)為妻,收留了從大陸偷渡過來的大姨媽及其女阿珍(阮佩玲飾)。阿燦愛上了賢淑可愛的阿珍,兩人很快墮入愛河。另一方面,犯罪集團主腦契爺(羅烈飾)及得力女助手阿JOE策劃一樁勒索案,但取贖金時險比警方捉拿。無計可施時,契爺捉走阿珍及阿芳來威脅阿燦及肥則替他們?nèi)≮H金,并在他們身上裝了一遙控計時炸彈…
1863起義者
卡羅琳娜·辛查克,達尼爾·奧勒布里斯基,賽巴斯汀·法比杰斯基她不是我媽媽
Artika Sari Devi,奧羅拉·里貝羅,阿里·菲克里,Fara Shakila,Husein Al Athas,Dian Sidik,Sita Nursanti RSD,Khiva Rayanka故事圍繞一對姐弟 Vira 與 Dino 展開;在父母離異后,他們與母親共同生活,卻發(fā)現(xiàn)母親逐漸“變了”。母親癡迷使用所謂的 “ajian” 和 “rajah”(護身符或咒語)為生意帶來好運,卻漸漸伴隨著奇怪的暴力行為與精神崩潰