劇情縱覽
大衛(wèi)(比爾·度倫暫無內(nèi)容Biel暫無內(nèi)容Durán暫無內(nèi)容飾)是一名高中生,正值青春年少,大衛(wèi)卻發(fā)現(xiàn)他曾經(jīng)對(duì)生命抱有的種種幻想竟然都成為了泡影。在學(xué)校中,他因?yàn)槠接沟募揖扯罡凶员?,傳說中“校園中難以忘懷的初戀”又遲遲未來,就連他一直喜愛和支持的足球隊(duì),都讓他失望透頂,困惑和憤怒之間,大衛(wèi)的青春期籠罩上了層層的陰云。
大衛(wèi)(比爾·度倫暫無內(nèi)容Biel暫無內(nèi)容Durán暫無內(nèi)容飾)是一名高中生,正值青春年少,大衛(wèi)卻發(fā)現(xiàn)他曾經(jīng)對(duì)生命抱有的種種幻想竟然都成為了泡影。在學(xué)校中,他因?yàn)槠接沟募揖扯罡凶员?,傳說中“校園中難以忘懷的初戀”又遲遲未來,就連他一直喜愛和支持的足球隊(duì),都讓他失望透頂,困惑和憤怒之間,大衛(wèi)的青春期籠罩上了層層的陰云。
小有名氣的建筑師埃文·韋伯(基努·里維斯 Keanu Reeves 飾)事業(yè)有成,生活美滿。他住在洛杉磯一套親手設(shè)計(jì)的別墅中,妻子凱倫(伊格納西·阿爾曼德 Ignacia Allamand 飾)美艷動(dòng)人,一雙兒女杰克(Dan Baily 飾)和莉莎(Megan Baily 飾)乖巧可愛。某個(gè)假日,凱倫驅(qū)車帶著孩子們外出度假,留下埃文一人在家中工作。瓢潑大雨之夜,艾文突然聽到了敲門聲。來者是被淋成落湯雞的女孩貝爾(安娜·德·阿瑪斯 Ana de Armas 飾)和吉妮絲(洛倫扎·伊佐 Lorenza Izzo 飾),他們迷失方向,請(qǐng)求埃文提供幫助。兩個(gè)女孩就像善解人意又誘惑媚人的小妖精,讓埃文多少有些把持不住?! ∩诸^上一把刀,世間哪有從天而降的美食和便宜……
主人公賢示自幼飽受性別認(rèn)同困擾,卻始終未放棄成為偶像的夢(mèng)想。醫(yī)生和田在與賢示相遇后,首次直面性別認(rèn)同障礙的現(xiàn)實(shí),并以賢示為首例親自主刀的性別重置手術(shù)患者。一個(gè)選擇活出自我,一個(gè)探索“真正的醫(yī)療”,兩人在偏見與孤獨(dú)中建立起深厚信任與羈絆。 本片改編自春菜愛與和田耕治的原著,講述開啟禁忌手術(shù)之門的真實(shí)故事。
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
該片是心理懸疑風(fēng)格的影片。八年前,一場(chǎng)古董事件導(dǎo)致了相依為命的奶奶死于非命,正值妙齡的佳佳(楊紫 飾)又不得不面對(duì)父母離異的現(xiàn)實(shí)。家庭的破裂、死去奶奶的噩夢(mèng)纏繞,好友的突然癱瘓,而此刻令人毛骨悚然的文物販子伺機(jī)出動(dòng),各種不解之物正等待時(shí)機(jī)向她發(fā)起進(jìn)攻,直到她變成了守株人……