燃燒
目標(biāo)成為作家的青年李鐘秀(劉亞仁暫無(wú)內(nèi)容飾),平日里靠兼職養(yǎng)活自己。經(jīng)營(yíng)畜牧業(yè)的父親不諳人情,官司纏身,迫使鐘秀又要為了搭救父親而四處奔走。這一日,鐘秀在某大型賣場(chǎng)重逢了當(dāng)年的同學(xué)申惠美(全鐘淑暫無(wú)內(nèi)容飾)?;菝烙?jì)劃近期前往非洲旅行,于是拜托鐘秀照看愛貓Boil。不久后惠美回國(guó),與之一同下飛機(jī)的還有名叫本(史蒂文·元暫無(wú)內(nèi)容飾)的男子。本駕駛保時(shí)捷,居住在高級(jí)公寓內(nèi),優(yōu)哉游哉,不見工作,四處玩樂,和鐘秀相比有如天上地下。不知為何,本走入平民鐘秀和惠美的生活,更向新朋友講述了他奇特的癖好。在鐘秀家小聚的那個(gè)晚上過后,惠美仿佛人間蒸發(fā)了一般無(wú)影無(wú)蹤……
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Ashley Ahlquist,格蘭特·鮑爾,Aaron Christensen,泰勒·克里斯托弗,Kyle Connors,Jessica DeBonville毛骨悚然撞鬼經(jīng) 2018夏季特別篇
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喬什·杜哈明,杰里米·雷·泰勒,里克·霍夫曼,艾丹·吉倫,阿諾德·沃斯洛,尼爾·桑迪蘭茲,布蘭登·奧雷,Daniel Lasker,丹尼·戴·維利爾斯,卡爾·桑寧,Nathan Castle,Matthew Dylan Roberts,Ntlanhla Morgan Kutu,杜馬尼·西福塞蘇·姆蒂亞,Daniel Levi Thomas,Finnley Barnett,Francois Nel職業(yè)罪犯小吉爾伯特·加爾文(喬什·杜哈明 飾)從美國(guó)監(jiān)獄逃出并越過邊境進(jìn)入加拿大,在加拿大,他化名為羅伯特·懷特曼,有了新的身份?! ≡趬嬋霅酆硬⒔Y(jié)婚后,他聲稱接受了一份旅行安全顧問的工作,但他大膽的犯罪行為仍在繼續(xù)。在他向終身黑幫成員湯米尋求投資后,他的事業(yè)變得更加復(fù)雜,他卷入了加拿大歷史上最大的搶劫案,這使他成為跨國(guó)追捕的核心人物。
地下角斗士
戴拉·紹,黎唯,黎明Duke and Yan, two long time rivals, are competing in the world’s most dangerous underground fighting tournament, where powerful crimelords can gamble and influence who they fight, the terrain they fight on and what weapons will be used. In this high-stakes bloodsport where one wrong move can mean certain death, they must decide whether to play by the rules or to cast their honor aside and team up against the dark syndicate running the tournament and bring the entire system down.
身體集合.zip
金玟錫,金彩恩,權(quán)雅凜,姜俊圭,金亞炫,趙宇麗老么記者詩(shī)京潛入邪教團(tuán)體取材。詩(shī)京被受邀參加特別的儀式,信徒們依序祈願(yuàn)並獻(xiàn)上祭品。接著終於輪到詩(shī)京了,這時(shí)她才驚覺祭品竟然是身體的一個(gè)部位,這令她衝擊不已。眼睛、鼻子、嘴巴……圍繞在身體各部位的6個(gè)故事,當(dāng)集滿身體所有部位時(shí),血淋淋的恐懼就會(huì)覺醒!
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
探子阿堅(jiān):無(wú)頭奇案
玉葉,國(guó)輝故事發(fā)生在大約200年前的越南阮朝,探子阿堅(jiān)受某村莊的邀請(qǐng),前來(lái)調(diào)查神秘失蹤的案子....