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地心記
彼得·庫(kù)欣,道格·麥克洛,卡羅琳·莫羅,Cy Grant,Godfrey James,基思·巴倫,Robert Gillespie神秘科學(xué)影院3000
致命塔羅
阿凡提卡·萬(wàn)達(dá)納普,雅各布·巴特朗,歐文·弗熱瑞,哈里特·斯萊特,亨伯利·岡薩雷斯,拉森·湯普森,阿丹·布拉德利,沃爾夫?qū)ぶZ沃格拉茨,斯塔薩·尼科利奇,詹姆斯·斯旺頓,艾倫·韋爾斯,桑西卡·米拉諾維奇,喬絲·卡特充氣情人
朱可兒,王波文,鄒旭峰,袁宗軒X--未知的元素
Dean Jagger,Edward Chapman,Leo McKern,Anthony Newley獵梟風(fēng)暴
魯諾,徐佳,田松,駱達(dá)華,王志剛,石兆琪,呂星辰,闞宇,張莎莎,李藝東,陳畫(huà)風(fēng),袁苑,安琥,莊小龍同類推薦
向光花盛開(kāi)
黃志忠,趙潤(rùn)南,齊歡,江珊,任重,歐豪我叫夏津生,做水產(chǎn)生意,45歲那年我兒子跳樓自殺了,他死后第37天我進(jìn)了他所有的群,我發(fā)現(xiàn)里面全都是有抑郁傾向企圖輕生的孩子,我不知道為什么,我在“約死群”留言1萬(wàn)9千次,問(wèn)過(guò)127個(gè)男孩,49個(gè)女孩,到現(xiàn)在也沒(méi)有答案……
魔影襲人來(lái)
萊斯利·霍華德,勞倫斯·奧利弗,雷蒙德·馬西,安東·沃爾布魯克,埃里克·波特曼獲獎(jiǎng):1943年奧斯卡最佳劇本獎(jiǎng)介紹:二戰(zhàn)初期,一艘毀壞的潛水艇擱淺在加拿大海灣。狂熱的納粹船長(zhǎng)和他的全體船員必須抵達(dá)當(dāng)時(shí)中立的美國(guó),否則他們要被捉拿。一路上他們遇上形形色色的人物,對(duì)戰(zhàn)爭(zhēng)和愛(ài)國(guó)主義抱著各自的態(tài)度。在本片中導(dǎo)演鮑威爾和演員艾默力.皮斯伯格針對(duì)美國(guó)參加同盟國(guó)對(duì)抗納粹的原因而展現(xiàn)出他們獨(dú)特的觀點(diǎn)。
外星人2025
Annie Ngosi Ilonzeh·Marques Houston·Erica Mena·Drew Sidora·Erica Pinkett·Ken Lawson·Claudia Jordan·Obba Babatundé·Jensen Atwood·Taymour Ghazi·Mark Holzum·Jaime Alvarez·Daniel Rodger·Ashton Williams·Lincoln Blake·Dog在將未婚夫留在祭壇后,梅麗莎和朋友們一起住在一間小屋里。當(dāng)珍妮被發(fā)現(xiàn)在樹(shù)林里被肢解,外星人襲擊了國(guó)家時(shí),女孩們必須為生存而戰(zhàn)。
尋愛(ài)之旅
麥克·辛,馬克·阿蒂,吉姆·卡特,馬克·斯特朗熱愛(ài)射飛鏢的柯林看店為業(yè),為了贏回紅杏出牆的妻子芳心,他跳脫常軌,離開(kāi)熟悉的故鄉(xiāng),橫越全國(guó)。當(dāng)他經(jīng)過(guò)美麗的高山地區(qū),來(lái)到碎石嶙嶙的黑池時(shí),連著遇到一些人和事,改變了他的新生活。是一部好笑又非常人性的影片。
公寓2024
斯文·索奇塔,細(xì)田善彥,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.