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火山下
威廉·萊維,瑪吉.斯班多斯,阿德里亞娜·托雷維哈諾,法比奧拉·瓜哈爾多,伊利婭·蓋爾拉,Pino Montesdeoca,Antón Lofer心中的惡魔
Fernanda Andrade,Simon Quarterman,Evan Helmuth,Ionut Grama,Suzan Crowley貪種滋生
Andrew Boszhardt,艾德里安·恩斯科,切爾西·吉利根,Madison Lewis禪武門
張玲,鄭少秋,田豐,王俠古宅謎案
貢米,郭秋成,劉家麟,黑妹,李中煜,馮淇祈,劉禹君不被愛也沒關(guān)系
南沙良,馬場富美加,本田望結(jié),基俊介,河井青葉,伊島空,池津祥子同類推薦
漁民的故事
豪爾赫·A·希門尼斯,Alejandra Herrera,蕾內(nèi)塔·瓦卡,安德雷斯·德爾加多,Perla Alejo,José Antonio Becerril,Myriam Bravo,Agustin Cornejo,安娜·迪亞斯,Maritza Estrada,Waldo Facco,Bibiana Godínez,梅賽德斯·埃爾南德斯,諾伊·埃爾南德斯,霍澤·梅蘭德斯,Daniela Momo,Don Fulgencio Morales,Ruby Vizcarra傳說很久以前，大自然在湖邊和諧共生，直到邪惡降臨。被黑暗欲望蒙蔽的人帶來了恐懼、仇恨和死亡。漁民們稱之為La Miringua，就是因?yàn)槟愕淖飷憾涯阃系胶锏哪莻€(gè)。
圣母瑪利亞
安妮·海瑟薇,米凱拉·科爾,亨特·莎弗,小枝女孩,雅典娜·弗里澤爾,凱雅·基伯,杰西卡·布朗·芬德利,伊紹拉·巴貝-布朗,阿爾芭·巴普蒂斯塔,茜安·克利福德,帕里納斯·埃斯梅爾薩德,勞拉·米金,朱莉婭·斯托爾巴,丹尼·維塔勒傳奇流行巨星Mother Mary（安妮·海瑟薇 飾）為了以完美形象回歸舞臺(tái)，找上疏遠(yuǎn)多年的好友兼前造型師薩姆（米凱拉·科爾 飾），卻也掀開埋藏已久的傷疤。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
不良教育2004
蓋爾·加西亞·貝納爾,費(fèi)雷·馬丁內(nèi)茲,丹尼爾·希梅內(nèi)斯·卡喬,路易斯·奧馬,弗朗西斯科·梅斯特,弗郎西斯科·博伊拉,胡安·費(fèi)爾南德斯,納喬·佩雷斯,哈維爾·卡馬拉,阿爾維托·費(fèi)雷羅,佩特拉·馬丁內(nèi)斯,Roberto Hoyas,阿古斯丁·阿莫多瓦,佩德羅·阿莫多瓦,波爾·莫南,薩拉·蒙鐵兒,蕾歐諾·瓦特林,何塞·馬利亞·亞茲皮克恩里克（費(fèi)雷?馬丁內(nèi)茲 飾）和伊格萊西奧（弗朗西斯科?拜奧拉 飾）是教會(huì)學(xué)校的同學(xué)，更是一對(duì)同性戀人。學(xué)校的莫雷神父以留下恩里克為誘餌占有了伊格萊西奧，但最終恩里克還是離開了教會(huì)學(xué)校。這對(duì)同性戀人也就勞燕分飛?！ 〕赡旰蟮亩骼锟艘咽且幻笥星巴镜膶?dǎo)演。一天，伊格萊西奧帶著劇本找到了恩里克，希望自己能出演男主角。劇本描寫的就是他們的成長經(jīng)歷加上想象的成年經(jīng)歷，恩里克對(duì)劇本十分感興趣，但卻不同意由伊格萊西奧出演?！ ‘?dāng)恩里克來到伊格萊西奧的家鄉(xiāng)時(shí)，秘密一幕幕揭開……
走出叢林
布里姬特·霍博梅爾,Sarah Zaharanski瑪麗安離開了她一直生活的城市，回到了成長的地方，并從祖母那里繼承了一棟老房子。最近的村莊有十公里遠(yuǎn)，沒有電，也沒有熱水。有時(shí)，屈服于災(zāi)難是重新開始的唯一方法。