即刻觀影
劇情賞析
編輯推薦
鬼影2025
Vino G. Bastian,Anya Geraldine,尼肯·安賈尼,唐尼·阿蘭西亞,安德里·馬沙迪,Rangga Nattra,Nugie,魯克曼·羅薩迪,Dewi Gita,Michelle Tahalea,Agus Mahesa,Iyang Darmawan,Angie Ang,Bayu T.,Megarita,Rinni Ruyono,Gabriella Cecilia,Widyawati,Dian Nova,Nesia Nuari達(dá)爾文是一名攝影師，他發(fā)現(xiàn)有個神秘女人總出現(xiàn)在自己的照片中。當(dāng)這個幽靈般的身影開始在現(xiàn)實生活中顯現(xiàn)時，他的女友皮亞開始調(diào)查這個鬼魂的身份，最終發(fā)現(xiàn)它與一名名叫莉莉斯的前大學(xué)學(xué)生有關(guān)。當(dāng)達(dá)爾文的朋友們開始陸續(xù)死亡時，皮亞懷疑這些鬼魂事件與達(dá)爾文的過去惡行有關(guān)。
她不是我媽媽
Artika Sari Devi,奧羅拉·里貝羅,阿里·菲克里,Fara Shakila,Husein Al Athas,Dian Sidik,Sita Nursanti RSD,Khiva Rayanka故事圍繞一對姐弟 Vira 與 Dino 展開；在父母離異后，他們與母親共同生活，卻發(fā)現(xiàn)母親逐漸“變了”。母親癡迷使用所謂的 “ajian” 和 “rajah”（護(hù)身符或咒語）為生意帶來好運(yùn)，卻漸漸伴隨著奇怪的暴力行為與精神崩潰
嗜血族
Daut Shaikislamov,Syrym Kashkabayev,Kilishbek Kasimbekov,Asan Mazhit自古以來，民間就流傳著關(guān)於黑暗精靈澤斯蒂爾納克的傳說。這些神話生物擁有修長的利爪和非人的力量，以人類血液為食。如今，已無人相信他們的存在，但他們?nèi)耘f生活在我們之中。米拉斯是來自阿拉木圖的一個普通年輕人，卻被美麗又成功的女孩艾娜愛上。米拉斯的父母樂見兒子攀上這門好親事，並樂意與艾娜富有的家庭結(jié)為親家。然而，他們卻不知道，新親家那棟豪華宅邸的門後，隱藏著什麼樣的驚人祕密。
浪浪人生
黃渤,范丞丞,殷桃,常遠(yuǎn),李嘉琦,劉雪華,付航,孫藝洲,張本煜,易小星,小愛,鄧恩熙,李治良,劉西蒙,郝瀚,杜夢涵,莊園曾經(jīng)叱咤小鎮(zhèn)的“大哥”黃榮發(fā)（黃渤 飾）如今嘴硬腿軟，開啟人生困難模式，但他和家人都沒有被命運(yùn)的風(fēng)浪裹挾。兒子黑狗達(dá)（范丞丞 飾）看似是黃家唯一“淡人”，暗地卻密謀如何發(fā)家又“治父”；妻子陳梨珍（殷桃 飾）樣樣全能橫掃困難，是小鎮(zhèn)人盡皆知不太好惹的“媽系超人”；膽大手“黑”的女兒黃嬌嬌（李嘉琦 飾）和“神”通廣大的阿太（劉雪華 飾）也各出奇招笑料百出。逆境當(dāng)前，一家唯有興“瘋”作浪跟生活貼臉硬剛，沒準(zhǔn)真能讓他們絕地翻盤？
兇地
平采娜·樂維瑟派布恩,Golf Pichaya Nitipaisalkul,Ivrin Osathanond,Manatsanun Phanlerdwongsakul,尼克.坤納提帕.平帕拉達(dá)布,Pharanyu Rojanawuthitham,巴東·頌桑,坦瓦林·蘇卡皮西特,Chaiwat Thongsaeng,查理·瑞納本劇改編自泰國四段真實新聞事件?！就雒褪俊吭?jīng)肇事的公車巴士，在夜晚最后一班車，搭載著往往不是人……【靈魅旅社】入住廉價旅社務(wù)必三思，晚上陪你入眠的可能不只一人……【酒店冥花】KTV酒店，萬年照不到陽光之處，店內(nèi)瘴癘之氣盤據(jù)，長年身在其中工作，早已人鬼難辨……【陰陽禪寺】替人祈福的僧者，竟是殺人兇手？壽未終，尸難寢；慘死冤魂，人間流返。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster