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劇情提要
平時追求自由生活方式的蔡熙,和熟人的女兒世妍同居。有一天,為了賣掉自己的房子,便找來了房地產(chǎn)仲介鄭賢,他對鄭賢很滿意,決定三個人住在一起,而世妍為了得到新婚房,也選擇接近鄭賢……
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快樂獵殺
Martin Dingle Wall,Ken Lally,C.J. Baker,Gary Sturm寵物墳場2(2023)
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布倫特·貝利,邁克爾·錢德勒,Benjamin Easterday,Wendell Kinney,Jamaal Lewis,肯尼斯·米勒,凱西·奧凱菲,瑞克·奧托,Anthony Richard Pagliaro,Jim Poole,奧布雷·雷諾茲,埃利斯·羅伯特森童煞驚魂島
丹尼爾·希梅內斯·卡喬,艾邦·摩斯-巴克拉赫,凡妮莎·肖洛特DR1
Christian Kapper,Natalie Welch,Thomas E. Nicholson別走
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頭顱游戲
Carly Steel,萊昂納德·羅伯茨,杰咪·希爾,Edward Gelhaus,卡梅隆·博文,克里斯·海耶斯,Sidney Allison7天之前
印度超人3
赫里尼克·羅斯?jié)h,瑞哈,莉婭·森,Priyanka Chopra,維克·奧貝歐 Vivek Oberoi,Rajpal Yadav,Kangana Ranaut探魔導師
洪紫琳,孔舒航,慕巖,金尤美,趙干羽,劉蔚森,楊悅心,高杰,任嬌,周婷,安德烈·拉澤夫,麥小龍,余浩瑞,劉光帥,王星凱,王小曼,李小龍,金韜,何然,Dima,那朵,于洛熙,趙英龍,萌寶寶,雪千琪琪,周末,Kevin,勃小龍,唐亦靜,韓欣茹,Kisa,朱睿,師軍紅,王銳,陸鑫密林諜影
康磊,馬亞楠,徐箭,梁笑,施駿喆,馬丹赫,張京生,宋禹,張貴生,穆佳男被時間遺忘的人
帕特里克·韋恩,道格·麥克洛,莎拉·道格拉斯幕后花絮
大蛇5:怪獸都市
太平洋雨夜,海灘尸骸遍野,貨船遭巨獸撕碎,災難預兆降臨。邊郊監(jiān)獄內,死刑犯烏川臨刑前夜遇史前大蛇襲擊,混亂中越獄,卻在唐人街被女警秦雅擒獲。 恰逢驲琿化工爆發(fā)蛇災,烏川母親被困車間,他拒捕欲救人,此時各類史前怪獸肆虐,城市淪為煉獄。二人與幸存者躲進超市,合力斬殺潛藏怪物。眾人查明,驲琿化工違規(guī)排海才引生物報復。 吳川挺身營救母親與幸存者,擊敗大蛇阻止二次污染
公寓2024
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.