老虎的女人

評分：3.1 播放：87萬更新：2026-04-29

青春恐怖

主演： charm_os Russamee Thongsiripraisri Bazoo Gvinphon

A暫無內(nèi)容woman暫無內(nèi)容who暫無內(nèi)容had暫無內(nèi)容a暫無內(nèi)容tragic暫無內(nèi)容past暫無內(nèi)容of暫無內(nèi)容being暫無內(nèi)容raped暫無內(nèi)容by暫無內(nèi)容a暫無內(nèi)容man暫無內(nèi)容and暫無內(nèi)容since暫無內(nèi)容then暫無內(nèi)容has暫無內(nèi)容never暫無內(nèi)容felt暫無內(nèi)容secure暫無內(nèi)容enough暫無內(nèi)容to暫無內(nèi)容pursue暫無內(nèi)容a暫無內(nèi)容relationship.暫無內(nèi)容She暫無內(nèi)容gets暫無內(nèi)容lost暫無內(nèi)容in暫無內(nèi)容the暫無內(nèi)容forest暫無內(nèi)容where暫無內(nèi)容she暫無內(nèi)容encounters暫無內(nèi)容a暫無內(nèi)容strange暫無內(nèi)容naked暫無內(nèi)容female暫無內(nèi)容monster暫無內(nèi)容with暫無內(nèi)容a暫無內(nèi)容tiger暫無內(nèi)容tattoo,暫無內(nèi)容who暫無內(nèi)容transformed暫無內(nèi)容her暫無內(nèi)容into暫無內(nèi)容a暫無內(nèi)容sexy暫無內(nèi)容tiger暫無內(nèi)容beast.

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正義聯(lián)盟：無限地球危機（中）

詹森·阿克斯,斯坦娜·卡蒂克,吉米·辛普森,吉第安·艾朵,盧·戴蒙德·菲利普斯,詹妮弗·黑爾,特洛伊·貝克,阿爾迪斯·霍吉,威爾·弗里德爾,梅格·唐納利,岑勇康,馬特·蘭特爾,達倫·克里斯,連姆·麥肯泰爾,艾托·艾桑多,吉奧弗瑞·阿倫德,杰米·格雷·海德,凱沙·夏普,馬特·瑞安,喬納森·亞當斯

　　PG-13　　An endless army of shadow demons bent on the destruction of all reality swarms over our world and all parallel Earths. The only thing opposing them is the mightiest team of metahumans ever assembled. But not even the combined power of Superman, Batman, Wonder Woman, Green Lantern and all their fellow superheroes can slow down the onslaught of this invincible horde. What mysterious force is driving them? And how do the long-buried secrets of the Monitor and Supergirl threaten to crush our last defense?

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

不是鬧著玩的

李易祥,于根藝,曹隨風,田華

　　電影一直與陽春白雪相關，似乎很少有人把它與下里巴人聯(lián)系在一起?？珊幽夏承℃?zhèn)某小村，卻發(fā)生了一件事，讓電影與下里巴人進行了一次對接。村里的電影放映員蔡有才（李易祥飾）一直有一個夢想，那就是親自拍一部電影。這不是鬧著玩的，有才果真開始實踐起了拍電影之夢。圍繞著鬼子進村的主題，有才開始尋找演員，構造場景，可這些非專業(yè)出身的演員和資金的限制，讓片場狀況百出也笑話百出，經(jīng)過各種磨難，有才還是咬牙堅持了下來?！　”酒瑸檎嫒苏媸赂木帲逃煤幽显掃M行對白。真實情形為河南許昌縣靈井鎮(zhèn)興元鋪村的農(nóng)民趙蘭卿發(fā)動村民一起自編自導自演了一部名為《鬼子進村》的電影，開創(chuàng)了農(nóng)民自己拍電影的先河。

隱市英雄

彭禺厶,王莎,連奕名,來喜,于莉紅,張家豪,馬詩紅,翟星月,崔顥嚴

喜劇/動作　　出品公司：愛奇藝　　制作公司：愛奇藝、天藝星杰影視　　出品人：龔宇　　總監(jiān)制：王曉輝　　總制片人：楊海濤　　行政監(jiān)制：王兆楠　　監(jiān)制：張家豪　　導演：崔俊杰　　制片人：楊洋、李洋、於夢迪、張瀟子、王茜　　執(zhí)行制片人：谷雷

富二代

Sergey Abroskin,米洛斯·比柯維奇,亞歷山德拉·伯蒂奇,瑪麗亞·米羅諾娃,Aleksandr Oblasov,伊萬·阿赫洛貝斯金,亞歷山大·斯莫勒克

　　格里戈（米洛斯·比柯維奇 Milos Bikovic 飾）是銜著金湯匙出生的千金大少爺，從小就過著嬌生慣養(yǎng)、養(yǎng)尊處優(yōu)的日子，在蜜糖罐里泡大的格里戈自然培養(yǎng)出了蠻橫嬌縱不學無術的擺爛個性，并且因為他的橫行霸道，惹出了種種的麻煩要他老爸給他擦屁股。終于，在又一次闖禍之后，格里戈的老爸忍無可忍，他決定好好的教育一下自己的兒子?！　「窭锔甑睦习趾退暮糜选晃痪癫W家一起盤下了一座廢棄多年的村莊，將它重新修整成為了19世紀的模樣，之后，兩人策劃了一場車禍，當格里戈從昏迷中醒來后，震驚的發(fā)現(xiàn)自己“穿越”回了19世紀，成為了當時的一位有錢人家的奴隸。

重大發(fā)現(xiàn)

尼爾·布林,丹妮爾·安德雷德

　　一位計算機科學家/小說家與他兒時的朋友團聚，并闖入政府數(shù)據(jù)庫，同時面對他小時候所獲得的神秘行為的可怕后果。

邀請函

娜塔莉·伊曼紐爾,托馬斯·多赫蒂,斯蒂芬妮·科內(nèi)柳森,阿拉娜·博登,西恩·帕特維,休·斯金納,維拉格·巴拉尼,考特尼·泰勒,卡塔·薩博,伊麗莎白·康塞爾,斯科特·亞歷山大·楊,杰瑞米·惠勒,卡羅爾·安·克勞馥,克里斯蒂娜·格蕾絲·薩爾科

　　該片故事靈感來自于布萊姆·斯托克的經(jīng)典小說《德古拉》，是一部當代恐怖驚悚片，講述一個年輕女子因被追求而變得神魂顛倒，但她意識到，一個哥特式的陰謀正在發(fā)生。

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