金瓶雙艷 金瓶雙艷 (1974)

★ 2.1 播放：96萬(wàn) 更新：2026-05-04

西門慶（楊群 飾）貪婪殘暴的個(gè)性人盡皆知，盡管家中如花美眷成群，但他依舊安奈不住外出尋花問(wèn)柳的沖動(dòng)。一次偶然中，西門慶遇見(jiàn)了名為潘金蓮（胡錦 飾）的女子，她的美艷和妖媚瞬間就將西門慶所吸引，他在內(nèi)心暗下決定，一定要將這位絕世美人“收入麾下”。在西門慶的慫恿之下，潘金蓮殺害了老實(shí)忠懇的丈夫，最終嫁入了西門慶的府中。 女人多的地方是非自然就多，西門慶府中表面看來(lái)風(fēng)和日麗，但幾位夫人為了爭(zhēng)寵各自使出了千方百計(jì)。之后，西門慶又看上了他人之妻李瓶?jī)海ㄌ衲?飾），他故技重施人財(cái)并獲，一時(shí)之間好不得意，卻不知終有一天，他會(huì)栽在自己的手上。

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劇情簡(jiǎn)介

西門慶（楊群 飾）貪婪殘暴的個(gè)性人盡皆知，盡管家中如花美眷成群，但他依舊安奈不住外出尋花問(wèn)柳的沖動(dòng)。一次偶然中，西門慶遇見(jiàn)了名為潘金蓮（胡錦 飾）的女子，她的美艷和妖媚瞬間就將西門慶所吸引，他在內(nèi)心暗下決定，一定要將這位絕世美人“收入麾下”。在西門慶的慫恿之下，潘金蓮殺害了老實(shí)忠懇的丈夫，最終嫁入了西門慶的府中。 女人多的地方是非自然就多，西門慶府中表面看來(lái)風(fēng)和日麗，但幾位夫人為了爭(zhēng)寵各自使出了千方百計(jì)。之后，西門慶又看上了他人之妻李瓶?jī)海ㄌ衲?飾），他故技重施人財(cái)并獲，一時(shí)之間好不得意，卻不知終有一天，他會(huì)栽在自己的手上。

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為了亞當(dāng)

一如往常，護(hù)理師露西奔走于各個(gè)小兒科病房，BP機(jī)、哭喊聲填滿了她的崩潰日常。但今晚，有個(gè)小孩讓她格外心力交瘁：四歲的亞當(dāng)因營(yíng)養(yǎng)不良入院觀察，他媽媽海蓓卡執(zhí)意要徹夜守在孩子身旁，偏偏她被法院裁定照顧失當(dāng)，不得長(zhǎng)時(shí)間探訪。為了讓拒絕進(jìn)食的亞當(dāng)乖乖吃飯，露西打算破例讓她留下，豈料海蓓卡卻想悄悄偷走亞當(dāng)??

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

裂口女

　　20世紀(jì)70年代，在日本中小學(xué)生中間流傳著這樣一個(gè)恐怖的傳說(shuō)：放學(xué)獨(dú)自走到公園附近時(shí)，會(huì)遇到一個(gè)帶著白色口罩、穿紅色風(fēng)衣的女人。遇到路過(guò)者，她會(huì)摘下口罩，露出裂到耳朵的恐怖大嘴，問(wèn)對(duì)方“我漂亮嗎？”如回答不漂亮，她會(huì)將對(duì)方毀容；若回答漂亮，她就將對(duì)方變得和自己一樣；如果逃跑，她會(huì)以極快的速度追上。這個(gè)女人的名字就叫：裂口女?！　「鲗W(xué)校一時(shí)間人心惶惶，男女學(xué)生們都怕碰到這個(gè)可怕的女人，而大人們卻對(duì)這個(gè)謠言嗤之以鼻。但隨著一場(chǎng)不詳?shù)牡卣鸢l(fā)生，裂口女終于到來(lái)……