裸在21世紀(jì)

9.5 播放:91萬(wàn) 更新:2026-04-23
主演: Athena Demos Lena Yada Christine 

;2012年美國(guó)最新天體運(yùn)動(dòng)文娛記錄片佳作,展示歷史上的天體主義運(yùn)動(dòng)及天體電影和現(xiàn)代天體生活方式,美國(guó)天體運(yùn)動(dòng)協(xié)會(huì)全新特征著作引領(lǐng)你體會(huì)打開(kāi)胸襟,回歸自然界天人合一的祼露純真感觸 Naked在21世紀(jì) 的紀(jì)錄片:天然主義之旅,經(jīng)過(guò)比擬和比照怎么實(shí)施L體運(yùn)動(dòng),今日它是怎么經(jīng)過(guò)前幾代開(kāi)發(fā)。該片還供給一個(gè)L體電影製作,和L體主義電影的回顧展,從20世紀(jì)到21世紀(jì)的開(kāi)展,一起來(lái)看看。   

即刻觀影

劇情賞析

;2012年美國(guó)最新天體運(yùn)動(dòng)文娛記錄片佳作,展示歷史上的天體主義運(yùn)動(dòng)及天體電影和現(xiàn)代天體生活方式,美國(guó)天體運(yùn)動(dòng)協(xié)會(huì)全新特征著作引領(lǐng)你體會(huì)打開(kāi)胸襟,回歸自然界天人合一的祼露純真感觸 Naked在21世紀(jì) 的紀(jì)錄片:天然主義之旅,經(jīng)過(guò)比擬和比照怎么實(shí)施L體運(yùn)動(dòng),今日它是怎么經(jīng)過(guò)前幾代開(kāi)發(fā)。該片還供給一個(gè)L體電影製作,和L體主義電影的回顧展,從20世紀(jì)到21世紀(jì)的開(kāi)展,一起來(lái)看看。   

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等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

未知土地

約克·馬哈尼,Shirley Patterson,威廉·雷諾茲,亨利·布蘭登

  Three men and a woman crash-land in a deep crater in Antarctica, where they find a prehistoric world.

蒼雪麒麟

黃日瑩,銘亮,琪格,郭宏慶

百年前萬(wàn)靈古城遭黑水軍團(tuán)操控的麒麟居戮,女王妙清封印麒麟后難產(chǎn)離世。百年后,其遺孤蒼雪貌丑家貧,在忠義堂備受排擠,暗戀陌千禾,機(jī)緣下救了龍族皇子諾,獲三個(gè)愿望。隨著假公主陰謀、麒麟解封,古城再起危機(jī),蒼雪在蛻變中揭開(kāi)身世,攜手伙伴對(duì)抗幕后黑手,拯救古城。

飛機(jī)和火山

迪恩·凱恩,羅賓·吉文斯,勞倫斯·希爾頓-雅各布斯,Mike Jerome Putnam,Michael William Hunter,Laura Alexandra Ramos,Natalie Burtney

  當(dāng)一架客機(jī)困在一堆噴發(fā)的火山中時(shí),乘客和機(jī)組人員必須設(shè)法求生——在不降落的情況下。但在巖漿和火山灰的持續(xù)打擊下,機(jī)上的人產(chǎn)生了恐懼和不信任,威脅生命的不只是火山,人人必須學(xué)會(huì)合作,才能在火海飛行中活下去……

廢柴同盟

曾志偉,吳鎮(zhèn)宇,邵美琪,黃卓玲,謝天華,盧海鵬,秦煌,林偉健

  電視臺(tái)的監(jiān)制阿南(曾志偉 飾)一直郁郁不得志,雖然才華橫溢,但是由于不善交際,做的都是一些冷門(mén)時(shí)段的節(jié)目。這日,他在一個(gè)公眾場(chǎng)合偶遇了過(guò)氣歌手阿Ken(吳鎮(zhèn)宇 飾),發(fā)現(xiàn)阿Ken想方設(shè)法都想上臺(tái)獻(xiàn)唱??粗en的古怪舉動(dòng),阿南突然有了一個(gè)想法,發(fā)現(xiàn)了一條可以幫助二人成功的道路。阿南向阿Ken提出成為他的獨(dú)家代理人,并幫他重新包裝,保證他一定能咸魚(yú)翻身。原來(lái),阿南的計(jì)劃就是讓Kenny裝瘋賣(mài)傻,全力吸引傳媒的視線(xiàn),為了能再次踏上舞臺(tái),阿Ken答應(yīng)了?! 」蝗绨⒛纤?,Kenny的瘋癲行為引來(lái)了大批傳媒,他也迅速走紅。此時(shí),電視臺(tái)為了能讓Kenny來(lái)上節(jié)目,只好滿(mǎn)足阿南的要求,將他調(diào)到熱門(mén)時(shí)段的節(jié)目讓他大展拳腳。正當(dāng)這對(duì)伙伴的事業(yè)一帆風(fēng)順時(shí),一個(gè)艱難的抉擇卻擺在了阿南面前。

命運(yùn)之書(shū)

邁克.梅爾斯,斯賓塞.布萊斯林

  火、水、風(fēng)、土、和空氣,生命五種核心元素曾經(jīng)注入在一本書(shū)--命運(yùn)之書(shū)。黑暗籠罩了大地,需要借助筆和書(shū)的力量,但這本書(shū)卻失蹤了,人們以為它永遠(yuǎn)消失了,但數(shù)百年后卻又再度出現(xiàn)……