淫亂書生

4.6 播放：68萬(wàn) 更新：2026-05-04

名師之徒，也是當(dāng)代最有名的書生尹西根本不想追求權(quán)力，政權(quán)之爭(zhēng)沒(méi)有任何意義。過(guò)著悠閑的秀才生活的尹西在反對(duì)派的陰謀丅接收了一件案子。接觸生平第一次見(jiàn)到的y-亂的書籍，祂開(kāi)始了忍不住的興奮。尹西鼓起勇氣試著寫y-亂小說(shuō)。祂以秋月色的筆名發(fā)表了y-亂小說(shuō)的尹西在想成為第一人的欲望丅，托付惡名遠(yuǎn)揚(yáng)的廣憲為小說(shuō)畫畫。廣憲也在忍不住誘惑丅與尹西攜手共創(chuàng)y-亂小說(shuō)。漂亮又有格調(diào)的文采遇見(jiàn)了生動(dòng)的畫，稱得上是錦上添...

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名師之徒，也是當(dāng)代最有名的書生尹西根本不想追求權(quán)力，政權(quán)之爭(zhēng)沒(méi)有任何意義。過(guò)著悠閑的秀才生活的尹西在反對(duì)派的陰謀丅接收了一件案子。接觸生平第一次見(jiàn)到的y-亂的書籍，祂開(kāi)始了忍不住的興奮。尹西鼓起勇氣試著寫y-亂小說(shuō)。祂以秋月色的筆名發(fā)表了y-亂小說(shuō)的尹西在想成為第一人的欲望丅，托付惡名遠(yuǎn)揚(yáng)的廣憲為小說(shuō)畫畫。廣憲也在忍不住誘惑丅與尹西攜手共創(chuàng)y-亂小說(shuō)。漂亮又有格調(diào)的文采遇見(jiàn)了生動(dòng)的畫，稱得上是錦上添...

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耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

兇間疑影

Teerapong Liaorakwong,Sinjai Plengpanich,Pongpit Preechaborisutkhun,Kanya Rattapetch,Chatsoroth Thanuthipayakul

　　風(fēng)韻猶存的妮妲是一個(gè)單身媽媽，數(shù)年前她和老公的感情破裂，長(zhǎng)久以來(lái)只同兒子阿頓生活在一起。妮妲靠在夜市賣電影光盤為生，巨大的壓力令她皈依一個(gè)名為“Who R U”的宗教社團(tuán)。5年前，阿頓與母親發(fā)生爭(zhēng)執(zhí)，隨即將自己反鎖房中，從此再未踏向外部世界。妮妲與阿頓德交流便是通過(guò)門縫下傳遞紙條來(lái)實(shí)現(xiàn)，憑借宗教賜予她的力量，妮妲似乎漸漸習(xí)慣這種不正常的生活?！　∧畴娨暸_(tái)恐怖節(jié)目編輯阿東是妮妲的常客，他得知阿頓的事情，告知妮妲這是一種被稱為“隱蔽青年”的自閉癥狀。阿東決定幫助阿頓走出房門，回到社會(huì)。他極其熱心地操辦此事，結(jié)果卻令他追悔莫及。而在這一過(guò)程中，妮妲內(nèi)心塵封已久的記憶也被漸漸喚醒……

廢世界

　　故事設(shè)定在《廢頭》世界的1042年前，以機(jī)器人“羅賓”作為主角。羅賓原本作為護(hù)衛(wèi)，隨同調(diào)查隊(duì)長(zhǎng)特里斯前往地下世界調(diào)查異常情況。盡管肩負(fù)保護(hù)特里斯的使命，但調(diào)查隊(duì)卻遭到了人工生命體馬里甘的邪教組織“吉拉教”的襲擊。在壓倒性的戰(zhàn)力差距下，調(diào)查隊(duì)陷入苦戰(zhàn)。然而，在這場(chǎng)激烈的交鋒中，他們發(fā)現(xiàn)了次元的扭曲，并逐步揭開(kāi)地下世界隱藏的秘密與異變的真相。

阿特拉斯聳聳肩

泰勒·席林,保羅·約翰遜,格蘭特·鮑爾,賈蘇·加西亞,馬修·馬斯登,Rebecca Wisocky

　　在一個(gè)家族傳承的塔格特鐵路公司，現(xiàn)任總裁為家族長(zhǎng)子詹姆斯·塔格特，副總裁是達(dá)格妮·塔格特，兄妹倆為挽救公司岌岌可危的營(yíng)運(yùn)，想法與方法可說(shuō)是南轅北轍，一位只是口頭囔囔一些沒(méi)有經(jīng)過(guò)詳細(xì)評(píng)估的墨西哥——圣賽巴斯蒂安支線的投資，卻沒(méi)有提出一絲一毫的規(guī)劃與執(zhí)行方案，常常以見(jiàn)不得別人成功的酸葡萄心態(tài)看待事情與詆毀他人；另一位是以“我是像一個(gè)餓瘋了一樣，去找任何一個(gè)能把事情做好的人！”為挽救塔格特鐵路公司，與愛(ài)迪·威勒斯孜孜矻矻、焚膏繼晷的努力工作，為順利完成里約諾特的鐵路支線，找上里爾登鋼鐵的漢克·里爾登合作，采用里爾登剛發(fā)明的新合金當(dāng)鐵軌，沒(méi)想到成功營(yíng)造出里約諾特的鐵路支線，卻是另一個(gè)不幸的開(kāi)端?！　∧缓笾谱鳌　　栋⑻乩孤柭柤纭肥巧鲜兰o(jì)美國(guó)著名哲學(xué)家、小說(shuō)家安·蘭德的代表巨著，這位俄裔美籍小說(shuō)家推崇理性，認(rèn)為人的最高美德便是理性。她不顧傳統(tǒng)輿論的偏見(jiàn)，力倡個(gè)人主義，認(rèn)為不能使個(gè)人利益得到最大伸張的社會(huì)，就不是理想社會(huì)。她的客觀主義哲學(xué)自上世紀(jì)50年代起便風(fēng)靡美國(guó)校園，影響了幾代美國(guó)人，她本人也成為美國(guó)青年崇拜的偶像?！　　栋⑻乩孤柭柤纭肥撬钪囊槐拘≌f(shuō)，曾在美國(guó)社會(huì)產(chǎn)生巨大影響。書中宣揚(yáng)金錢至上的思想，探討了理性利己主義的道德性。1957年剛剛出版曾遭遇社會(huì)惡評(píng)，但卻異常暢銷，在美國(guó)的銷售量?jī)H次于《圣經(jīng)》，并影響了當(dāng)時(shí)社會(huì)的很多知識(shí)分子，甚至成為美國(guó)學(xué)生必讀的課外書籍。

派對(duì)島上的危險(xiǎn)

林賽·德雷斯巴赫,Andrea Prevatt,James Bobo,Kate Dailey

性格內(nèi)向的律師梅爾·戴爾得知她愛(ài)冒險(xiǎn)的妹妹突然去世后感到悲痛欲絕。但當(dāng)她前往收集姐姐的尸體時(shí)，她很快就懷疑有人謀殺。她可能是下一個(gè)。