索多瑪?shù)淖飷?/h1>
Henning暫無內(nèi)容is暫無內(nèi)容a暫無內(nèi)容fashion暫無內(nèi)容photographer暫無內(nèi)容driven暫無內(nèi)容by暫無內(nèi)容visions暫無內(nèi)容of暫無內(nèi)容artistic暫無內(nèi)容glory.暫無內(nèi)容He暫無內(nèi)容is暫無內(nèi)容encouraged暫無內(nèi)容by暫無內(nèi)容a暫無內(nèi)容literary暫無內(nèi)容agent暫無內(nèi)容to暫無內(nèi)容produce暫無內(nèi)容a暫無內(nèi)容volume暫無內(nèi)容of暫無內(nèi)容erotic暫無內(nèi)容nudes暫無內(nèi)容and暫無內(nèi)容works暫無內(nèi)容to暫無內(nèi)容create暫無內(nèi)容the暫無內(nèi)容perfect暫無內(nèi)容layout暫無內(nèi)容with暫無內(nèi)容his暫無內(nèi)容favorite暫無內(nèi)容model,暫無內(nèi)容Leslie.暫無內(nèi)容All暫無內(nèi)容seems暫無內(nèi)容to暫無內(nèi)容be暫無內(nèi)容going暫無內(nèi)容well暫無內(nèi)容until暫無內(nèi)容the暫無內(nèi)容mysterious暫無內(nèi)容Joyce暫無內(nèi)容appears;暫無內(nèi)容dark暫無內(nèi)容and暫無內(nèi)容sensual,暫無內(nèi)容Joyce暫無內(nèi)容plays暫無內(nèi)容games暫無內(nèi)容with暫無內(nèi)容the暫無內(nèi)容photographer's暫無內(nèi)容ego,暫無內(nèi)容driving暫無內(nèi)容a暫無內(nèi)容wedge暫無內(nèi)容between暫無內(nèi)容Henning暫無內(nèi)容and暫無內(nèi)容...
在線觀看
劇情提要
Henning暫無內(nèi)容is暫無內(nèi)容a暫無內(nèi)容fashion暫無內(nèi)容photographer暫無內(nèi)容driven暫無內(nèi)容by暫無內(nèi)容visions暫無內(nèi)容of暫無內(nèi)容artistic暫無內(nèi)容glory.暫無內(nèi)容He暫無內(nèi)容is暫無內(nèi)容encouraged暫無內(nèi)容by暫無內(nèi)容a暫無內(nèi)容literary暫無內(nèi)容agent暫無內(nèi)容to暫無內(nèi)容produce暫無內(nèi)容a暫無內(nèi)容volume暫無內(nèi)容of暫無內(nèi)容erotic暫無內(nèi)容nudes暫無內(nèi)容and暫無內(nèi)容works暫無內(nèi)容to暫無內(nèi)容create暫無內(nèi)容the暫無內(nèi)容perfect暫無內(nèi)容layout暫無內(nèi)容with暫無內(nèi)容his暫無內(nèi)容favorite暫無內(nèi)容model,暫無內(nèi)容Leslie.暫無內(nèi)容All暫無內(nèi)容seems暫無內(nèi)容to暫無內(nèi)容be暫無內(nèi)容going暫無內(nèi)容well暫無內(nèi)容until暫無內(nèi)容the暫無內(nèi)容mysterious暫無內(nèi)容Joyce暫無內(nèi)容appears;暫無內(nèi)容dark暫無內(nèi)容and暫無內(nèi)容sensual,暫無內(nèi)容Joyce暫無內(nèi)容plays暫無內(nèi)容games暫無內(nèi)容with暫無內(nèi)容the暫無內(nèi)容photographer's暫無內(nèi)容ego,暫無內(nèi)容driving暫無內(nèi)容a暫無內(nèi)容wedge暫無內(nèi)容between暫無內(nèi)容Henning暫無內(nèi)容and暫無內(nèi)容...
暗夜精選
圣母瑪利亞
安妮·海瑟薇,米凱拉·科爾,亨特·莎弗,小枝女孩,雅典娜·弗里澤爾,凱雅·基伯,杰西卡·布朗·芬德利,伊紹拉·巴貝-布朗,阿爾芭·巴普蒂斯塔,茜安·克利福德,帕里納斯·埃斯梅爾薩德,勞拉·米金,朱莉婭·斯托爾巴,丹尼·維塔勒我老婆不是人
梁家輝,關(guān)之琳,胡楓,陳雅倫,周文健,梅小惠,鄭丹瑞,黎彼得,張堅庭被撓
大衛(wèi)·法里爾,迪倫·里夫,大衛(wèi)·斯塔爾,哈爾·卡普,戴維·達馬托孤獨犯罪狂
布倫娜·斯卡爾斯基,伊恩·賴爾·邁克爾斯,大衛(wèi)·赫特黑暗深處
塞繆爾·勒·比漢,阿米爾·艾爾凱塞,讓-雨果·安格拉德,托馬·索利韋爾,迭戈·馬丁,布魯諾·桑切斯,馬克·里索,安托萬·巴斯勒,Wabinlé Nabié,Rachid Guellaz,Mohamed Aroussi,米卡埃爾·菲圖西,Arthur Guivarch,Carl Laforêt,Yves Turi,菲利普·托雷頓在樂響舞動時
蘇拉吉·潘喬里,Isabelle Kaif,Sammy Jonas Heaney異次元駭客
克雷格·比爾克,阿明·繆勒-斯塔爾,格瑞辰·摩爾,文森特·多諾費奧,丹尼斯·海斯伯特,斯蒂文·沙博,Jeremy Roberts,里夫·霍頓,萊昂·里皮,珍妮特·麥克拉克倫,布拉德·威廉姆·亨克,伯特·布洛斯,Venessia Valentino,霍華德·S·米勒,蒂婭·德克薩達,施瑞·阿普萊碧,鮑勃·克萊德寧,艾莉森·洛曼,Hadda Brooks,厄尼·里夫利,托妮·索耶,Brooks Almy,李韋弗,杰弗里·里瓦斯,Travis Tedford,杰夫·布魯門克蘭茨,約翰尼·克勞福德,Tracy P同系列推薦
無限密室
克里斯托弗·索倫·凱利,卡桑德拉·克拉克,卡賈爾多·林賽,杰西·D·阿羅堵車
吳鎮(zhèn)宇,倪大紅,呂麗萍,孫海英,陳志朋,吳俊余,葛思然,巴哈古麗特蕾莎修女
勞米·拉佩斯,西爾維婭·侯克斯,尼古拉·里斯坦諾夫斯基,Ekin Corapci,Marijke Pinoy,拉賓娜·米特威斯卡驚天魔盜團3
杰西·艾森伯格,伍迪·哈里森,戴夫·弗蘭科,艾拉·菲舍爾,賈斯蒂斯·史密斯,多米尼克·塞薩,阿麗亞娜·格林布拉特,裴淳華,摩根·弗里曼,馬克·魯法洛,丹尼爾·雷德克里夫,尼克·威特曼他們之后的孩子
保羅·基爾舍,安吉麗娜·沃雷斯,賽義德·艾爾·阿拉米,阿娜伊斯·德穆斯蒂埃,露易絲·萊赫里,吉爾·勒盧什,路易·梅米,露德溫·塞尼耶,Denis Simonetta,Anouk Villemin狼嚎2023
Ebonie Cadman,杰登·考爾菲德,Jesse Matthews Cooke幕后花絮
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
外出時刻
羅蘭·拉菲特([她])、艾瑪紐爾·貝克特([我的國王])主演新片[外出時刻]( L’heure de la sortie,暫譯)進入拍攝后期。本片由塞巴斯蒂安·馬赫尼耶自編自導。故事講述皮埃爾因一位年輕老師自殺,作為填補進入圣·約瑟夫?qū)W院工作。他很快發(fā)現(xiàn)這里青少年散發(fā)著一種敵意。本片預計8月2日殺青。