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造孽
斯蒂凡尼·埃斯特斯,扎克·沃德,湯姆·格林,莎儂·多赫提,里昂·拉瑟姆,蘇菲·迪伊,費(fèi)莉莎·羅斯,Kevin Porter,基思·雅各,John Murray,James Cullen Bressack,托馬斯·唐尼克萊爾小時(shí)候有個(gè)假想的朋友，長大后她回到童年的家，卻遭到“曾經(jīng)朋友”的折磨。盡管是一部美式恐怖片，風(fēng)格卻非常多元化，從預(yù)告可窺緊繃于弦的氣氛。
邪完再邪
劉丹,羅莽,劉藍(lán)溪,朱客桂治洪“邪”三部曲之末?！ ∪斯砟芊裣鄳?？一只女鬼愛上了年輕英俊的馬素（羅莽 飾），于是找到她的父親幫她提親。馬素得知后嚇得魂不附體，毅然拒絕?？墒桥聿]放棄，她得知馬素暗戀漂亮女孩紅卜卜，于是設(shè)法讓紅卜卜死于車禍，然后借尸還魂。馬素見到暗戀已久的女孩主動投懷送抱，喜不自勝，兩人開始了一起生活。生活中每當(dāng)馬素有什么不如意，女鬼都會運(yùn)用自己的能力幫他排憂解難。但天下沒有不透風(fēng)的墻，馬素終于知道了戀人原來是那只喜歡自己的女鬼……
僧侶
文森特·卡塞爾,黛博拉·弗朗索瓦,約瑟芬·約比,塞爾?！ぢ迮逅?凱瑟琳·蒙切特,喬迪·道德爾,杰拉丁·卓別林,羅珊妮·杜蘭,Frédéric Noaille,Javivi,Martine Vandeville,Pierre-Félix Gravière,塞爾日·費(fèi)拉德,恩斯特·吳默埃,Jean-Francois Vendroux,讓-克洛德·杜芬阿姆布羅瑟（文森特·卡索 Vincent Cassel 飾）是一名非常虔誠的修道士，早就發(fā)誓將自己的身體和心里全權(quán)交由上帝管理。苛刻而又嚴(yán)格的他對教義有著自己獨(dú)特的理解，他覺得世人每一日都在玷污上帝的存在。瑪?shù)倌确浅５某绨莅⒛凡剂_瑟，她的順從和服從激發(fā)了阿姆布羅瑟潛藏在心底的獸欲，欲望一旦被激發(fā)，就無法收拾，阿姆布羅瑟一步一步向著深淵走去?！ “矕|尼婭（約瑟芬·約比 Joséphine Japy 飾）是常常前往修道院為自己的母親禱告的女孩，她的純潔吸引了阿姆布羅斯的注意，后者為了能夠占有她的身體，不惜設(shè)計(jì)將她的母親殺死。最終，阿姆布羅瑟的種種罪行被一個(gè)貴族青年給發(fā)現(xiàn)了。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
黎娜需要愛
艾米利亞·舒勒,雅尼克·許曼,Kyra Sophia Kahre黎娜（艾米麗亞·舒勒 Emilia Schüle 飾）的故事非常悲傷和充滿挫折。她從小生活在單親家庭中，母親只顧著自己的情感生活，忽視了對黎娜的關(guān)愛和支持。因此，她在學(xué)校里無法與同學(xué)們建立良好的關(guān)系，被視為怪異的存在，感到孤立和無助。然而，黎娜有一個(gè)隱藏的天賦：視覺藝術(shù)。她通過社交網(wǎng)絡(luò)平臺結(jié)識了同班同學(xué)提姆（雅尼克·許曼 Jannik Schümann 飾），兩人因?yàn)閷λ囆g(shù)的共同熱愛逐漸互相了解和傾訴心聲。他們的心靈相通，找到了互相支持和理解的溫暖?！ ∪欢?，黎娜的唯一好友背叛了她，陷害她成為賣提姆毒品的告密者。從那一刻起，她遭受了持續(xù)的誣陷和誤會，被社會孤立和排斥。無論她多么努力地解釋自己的清白，都無法挽回已經(jīng)造成的后果。
古劍奇譚之焚寂天劫
白澍,梁婧嫻,姜震昊,黃羿,王景灝蓬萊大戰(zhàn)三百年后，百里屠蘇終被風(fēng)晴雪復(fù)活，歐陽少恭也被巽芳救出。蚩尤控制少恭危害百姓，眾人合力對抗卻不敵。屠蘇得到女媧指點(diǎn)，將劍魄給予少恭，合體擊敗蚩尤，以死換得天下太平。