劇情縱覽
別名：Day of the Pig 一個(gè)哲學(xué)寓言根據(jù)博世Hyeronimous在圖像上。名為Sarchis一個(gè)駝背在他的王國(guó)是一個(gè)棄兒。他的弟弟，一個(gè)國(guó)王理應(yīng)變成一頭豬被宰殺的人誰(shuí)不想一頭豬要從娃娃抓起。 AZAZEL攝政的權(quán)力和絕對(duì)自由，沒有法律和禁令宣布3天。因此他的所有公民都死了。阿撒瀉勒問(wèn)Sarchis，幫助他。
在線暢看
臻選佳作
在你的愛情里
丹努什,克里蒂·薩農(nóng),Sushil Dahiya
圍困
尤里·索洛明,葉甫蓋尼·列別杰夫,伊琳娜·阿庫(kù)洛娃,列夫·佐洛圖欣,弗拉季斯拉夫·斯特爾熱利奇克,亞歷山大·拉辛,鮑里斯·戈?duì)柊屯蟹?謝爾蓋·哈欽科,丹尼爾·薩加爾,Vasiliy Minin,Valentin Abramov,Anatoliy Verbitskiy,米哈伊爾·烏里揚(yáng)諾夫,Roman Gromadsky,Konstantin Malakhov,Stanislav Fesyunov,Yuri Maltsev,Aleksandr Afanasev,Vladimiras Lido,Yuri Ku
該片講述了偉大衛(wèi)國(guó)戰(zhàn)爭(zhēng)期間列寧格勒遭受德寇圍困的九百天，列寧格勒軍民克服種種令人難以置信的困難--饑餓，轟炸，疾病，寒冷——保衛(wèi)了這座“英雄城”并最終打破了德寇的圍困的故事。
陰陽(yáng)師2001
野村萬(wàn)齋,伊藤英明,今井繪理子,小泉今日子 Ky?ko Koizumi,真田廣之,夏川結(jié)衣,寶生舞,矢島健一,石丸謙二郎,柄本明,岸部一德,萩原圣人
公元794年，日本桓武天皇時(shí)期，京都長(zhǎng)岡被其胞弟早良親王怨靈詛咒，天災(zāi)人禍不斷?；肝涮旎时黄冗w都平安京，由此開啟四百年平安時(shí)代序幕。彼時(shí)權(quán)貴內(nèi)部斗爭(zhēng)激烈，人民生活疾苦，世間因此怨靈叢生，人、鬼與怪物屏息同棲。隸屬于宮廷陰陽(yáng)寮的陰陽(yáng)師們，作為平衡天、地、人、鬼間矛盾的存在，自此活躍在歷史舞臺(tái)上，其中最為耀眼的便是身世成謎的安倍晴明（野村萬(wàn)齋 飾）。右近衛(wèi)中將源博雅（伊藤英明 飾）受托拜訪安倍晴明，被所目睹的奇異景象及晴明的個(gè)人魅力深深折服；晴明亦被博雅正直的品德吸引。故事便從兩人宿命相識(shí)，結(jié)下珍貴情誼開始?！ m廷內(nèi)近來(lái)異事頻發(fā)。左大臣藤原師輔之女誕下敦平親王，嬰兒降世卻身負(fù)詛咒。晴明招來(lái)蜜蟲（今井繪理子 飾）和神秘女子青音（小泉今日子 飾），與博雅一同化解惡咒，卻反遭誣陷。原來(lái)一切皆是陰陽(yáng)頭道尊（真田廣之 飾）所為。他利用左右大臣間矛盾與后妃間爭(zhēng)寵頻生事端，更欲召喚出150年前的最強(qiáng)怨靈早良親王，將平安京徹底顛覆…… 影片根據(jù)夢(mèng)枕貘《陰陽(yáng)師》系列小說(shuō)改編。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster