同屋情愛(ài)

評(píng)分：0.8 播放：25萬(wàn) 更新：2026-05-06
主演： 植敬雯 

本片對(duì);人S戀"的禁忌性主題作出頗為大膽的探討，雖然故事的說(shuō)服力有限，但卻對(duì)觀眾習(xí)以為常的思考作出有力的挑戰(zhàn)。女主角演出十分賣力，黑猩猩的表演也出奇的好，但基于東西方文化之間差異，大島渚的表現(xiàn)不如他平常執(zhí)導(dǎo)日片時(shí)的水準(zhǔn)。 　　

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　　一位精英驅(qū)魔師在對(duì)他的父親進(jìn)行未經(jīng)授權(quán)的驅(qū)魔時(shí)，懷疑與他戰(zhàn)斗的實(shí)體是一個(gè)神圣的存在——甚至可能是上帝。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

惑星大戰(zhàn)爭(zhēng)

宮內(nèi)洋,平田昭彥,沖雅也,森田健作,淺野優(yōu)子,池部良

　　西暦1988年。人類は謎のUFO群の襲來(lái)により危機(jī)に瀕していた。人類の存亡をかけ、南海の秘密基地で建造されていた國(guó)連宇宙防衛(wèi)艦?轟天は発進(jìn)する。侵略者の正體は、太陽(yáng)系から2萬(wàn)2千光年離れたメシエ13と呼ばれる球狀星団?恒星ヨミの第三惑星人だった。彼らは年老いた母星そっくりの地球を征服すべく、指揮官ヘルのもとに金星に侵略の前線基地を築いていた。敵ヘルファイターとの激しい戦闘をくり返し、金星に向かう轟天。しかし、その前に敵の超努級(jí)戦艦?大魔艦が立ちふさがる……。

最后一槍2025

Lham Somphol Rungphanit,薩里卡·塞思蘇帕,帕塔納·埃桑固

Petch想擺脫殺手生涯，但逃離過(guò)去談何容易？在愛(ài)情、忠誠(chéng)與復(fù)仇之間掙扎，他被迫接下最后一單。每一槍響起，賭注都在升級(jí)。他的未來(lái)與自由，全系于最后一顆子彈。 　　“終極任務(wù)，致命一槍，無(wú)路可退。”