捕風(fēng)者

評(píng)分：1.7 播放：18萬(wàn) 更新：2026-05-12

　　馬拉斯表面上是一家車行的修車工，但暗地里卻做著偷車的營(yíng)生。一次他在外出工作時(shí)自做主張偷了一輛黑色奔馳車，卻發(fā)現(xiàn)自己無(wú)意中卷入了一場(chǎng)地下毒品交易和謀殺案中，因而遭到了警察局長(zhǎng)斯圖帕爾和黑幫頭目戈盧布的雙重追擊。為了不牽連家人，馬拉斯只能投靠與黑幫有勾結(jié)的斯圖帕爾，從此踏上了一條命運(yùn)未知的道路。

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藏獒多吉

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好像一切都很糟糕

Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

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