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? 1.9 播放：98萬 2026-05-12

French director Alain Guiraudie’s follow-up to his 2013 controversial and daring film STRANGER BY THE LAKE once again shocked the audience at Cannes Film Festival. This wild and dark comedy is a departure from the style of his previous film, the unexpected ending created a jaw-dropping moment for audiences from around the world. Filmmaker Leo meets free-spirited Marie, together, they create a baby. With no confidence in Leo’s future, Marie abandons Leo and the baby, leaving Leo alone with a baby to feed. While struggling to continue his career as a filmmaker, Leo is going to do whatever it takes to survive despite a series of unexpected turns and shocking encounters.

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劇情提要

French director Alain Guiraudie’s follow-up to his 2013 controversial and daring film STRANGER BY THE LAKE once again shocked the audience at Cannes Film Festival. This wild and dark comedy is a departure from the style of his previous film, the unexpected ending created a jaw-dropping moment for audiences from around the world. Filmmaker Leo meets free-spirited Marie, together, they create a baby. With no confidence in Leo’s future, Marie abandons Leo and the baby, leaving Leo alone with a baby to feed. While struggling to continue his career as a filmmaker, Leo is going to do whatever it takes to survive despite a series of unexpected turns and shocking encounters.

幕后花絮

不明影像：絕對(duì)點(diǎn)擊禁止

　　在網(wǎng)絡(luò)監(jiān)查科兼職的大學(xué)生俊赫，為了和生氣的女友世熙（樸寶英 飾）重歸于好，轉(zhuǎn)而求助于女友的妹妹——高中女孩靜美。靜美是一個(gè)沉迷以來網(wǎng)絡(luò)的時(shí)尚女孩，她答應(yīng)幫助俊赫，條件是俊赫能幫她找一些網(wǎng)上封禁的稀奇古怪的視頻。萬般無奈，俊赫只得幫忙尋找，誰知卻意外下載到一段詭異的視頻。這段視頻每次的文件名每次都會(huì)改變，每次打開后也會(huì)呈現(xiàn)不同的內(nèi)容，甚至在看完之前都無法關(guān)閉。倒霉的靜美似乎恰恰碰上了那個(gè)傳說中的詛咒視頻，在此之后，她的周圍接連發(fā)生詭異事件?！　【W(wǎng)絡(luò)時(shí)代帶來便利，也衍生了假象與罪惡，通往地獄的大門慢慢開啟……

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.