人肉玩具

★ 9.4 播放：76萬 更新：2026-05-03

美藉中國人胡子達(dá)涉嫌與友人共謀虐殺了25人，胡卻把殺人罪名推到在獄中自殺了的共謀身上后被遞解出境。他回香港尋一位從前協(xié)助過他的兄弟阿敏，一起，記者秋為達(dá)到個人的新聞利益用策略令阿敏與胡會面，更使用阿敏誘惑胡獸性大發(fā) 

在線播放

劇情簡介

美藉中國人胡子達(dá)涉嫌與友人共謀虐殺了25人，胡卻把殺人罪名推到在獄中自殺了的共謀身上后被遞解出境。他回香港尋一位從前協(xié)助過他的兄弟阿敏，一起，記者秋為達(dá)到個人的新聞利益用策略令阿敏與胡會面，更使用阿敏誘惑胡獸性大發(fā) 

導(dǎo)演精選

動物僵尸

　　動物園準(zhǔn)備開放，聘請一班實習(xí)生到訪實習(xí)，沒想到一種神秘病毒在動物園內(nèi)開始蔓延爆發(fā)，全動物園的動物因而變成噬血活尸，成了真正的尸樂園，現(xiàn)在園區(qū)內(nèi)的幸存者除了得想辦法逃出生天外，還必須阻止這群饑腸轆轆的動物活尸走出園區(qū)……

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

大地1937

 改編自賽珍珠的普立茲獎小說，是好萊塢在三十年代開始注意東方題材的代表性作品。影片雖是描寫中國農(nóng)村夫婦的悲劇故事，但主角均由美國人扮演，導(dǎo)演悉尼．弗蘭克林也采取西方古典電影的風(fēng)格來處理，在制作上相當(dāng)嚴(yán)謹(jǐn)認(rèn)真。劇情描寫保羅．茂尼與路易絲．萊娜本來是貧困的農(nóng)民，面對饑荒的威脅甚至以烤土充饑。后來茂尼得到了一筆財富，竟整天花天酒地迷戀情婦，萊娜只有發(fā)揮賢妻的耐性期待丈夫浪子回頭。今天看來類似故事已顯得老套，但本片的拍攝與特技表現(xiàn)杰出，路易絲．萊娜亦獲得奧斯卡最佳女主角獎。