愉悅與苦痛
別名:變態(tài)變態(tài)不疼不愛(ài),每個(gè)女人都幻想成為一名美妙浪漫的萬(wàn)人迷并擁有性與愛(ài)的滋潤(rùn),絲襪裹腿的迷離性感,舍去一切紛擾的優(yōu)雅,縱身為之而努力以圖華麗變身,但事與愿并非能夠如影隨形,;愉悅與苦痛才是一對(duì)真正的鴛鴦...事業(yè)成功美貌如花的珠寶設(shè)計(jì)師維多利亞相遇富商杰克并之后與之結(jié)為夫婦,婚后她卻發(fā)現(xiàn)杰克是一名縱情聲色的人,她試圖逃之夭夭...
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高捷,姜皓文,侯桐江,湛佳明 Jiaming Zhan,張榮祥 Cheung Wing-Cheung,屈剛,張媛鈺,賈天明,景樂(lè),韓則怡 Zeyi Han,武岳 Yue Wu,張懷公,洪子龍 Zilong Hong,劉浩嵐 Haolan Liu,劉開(kāi)心 Kaixin Liu大明嬪妃之爭(zhēng)寵
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保羅·沃克,斯蒂夫·扎恩,莉莉·索博斯基,布萊恩·雷科內(nèi)爾,吉姆·比弗,特里·倫納德,格溫達(dá)·迪肯,休·達(dá)恩,杰伊·埃爾南德斯,沃爾頓·戈金斯,泰德·拉文,帕特里克·羅伯特·史密斯,Jessica Bowman,Stuart Stone,Basil Wallace,Mary Wickliffe,McKenzie Satterthwaite,Dell Yount,Kenneth White,Luis Cortés,Michael McCleery,Rachel Singer,John Maynard,蒂姆·瘋狂侏羅紀(jì)
梅蘭尼·格里菲斯,簡(jiǎn)·林奇,威廉·鮑德溫告白
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校園往事
宋欣諾,吳長(zhǎng)浩,陽(yáng)院生,王海卓,陳升衛(wèi)單純善良的女主人公(陳夢(mèng)曦)踏入了渴望已久的美麗高中校園。霸道頑皮的男主人公(陸晨)對(duì)陳夢(mèng)曦一見(jiàn)鐘情,因?yàn)槔钭榆幨顷悏?mèng)曦的同桌,而且他與陳夢(mèng)曦、梁燕形影不離,所以陸晨對(duì)李子軒有意見(jiàn)。陸晨與他朋友們經(jīng)常整蠱欺負(fù)李子軒,一次在操場(chǎng)上陸晨和他朋友一起把李子軒給揍了。善良樂(lè)于助人的陳夢(mèng)曦與梁燕知道后,決定幫助他們化解矛盾,通過(guò)接觸與了解,陸晨與李子軒及陳夢(mèng)曦、梁燕之間的友誼逐漸形成。一天晚上,梁燕去參加朋友的生日晚會(huì)后,被人綁架了,陸晨與陳夢(mèng)曦、李子軒及他的幾個(gè)朋友拿錢(qián)去解救梁燕,他們與劫匪打了起來(lái),他們?nèi)勘唤俜舜虻?,關(guān)鍵時(shí)刻,班主任帶保安隊(duì)長(zhǎng)來(lái)到,經(jīng)過(guò)一番激烈搏斗,最終保安隊(duì)長(zhǎng)制服了劫匪。
金剛不壞2024
喬杉,柳巖,梁龍,孫陽(yáng),楊新鳴,桑平,劉長(zhǎng)純,代樂(lè)樂(lè)金剛回到了自己曾經(jīng)生活的地方,然而一切早已物是人非。這時(shí),一起拐賣兒童的事件意外發(fā)生,金剛以一個(gè)局外人的身份開(kāi)始尋找被拐的女孩,在這個(gè)過(guò)程中他的過(guò)往也依舊在糾纏著他…… 金剛將不得不面對(duì)自己最不愿意正視的傷痛……
志愿軍:浴血和平
張子楓,宋佳,朱亞文,陳飛宇,彭昱暢,肖央,王硯輝,郭濤,王傳君,周政杰,張宥浩,吳昊宸,王挺,郭曉東,李晨,杜江,馮紹峰,閆妮,阿如那,曲禾,王雨甜,于謹(jǐn)維,王陽(yáng),張雪迎,劉軍,朱一龍,辛柏青,袁凱,梁靖康,于清斌電影《志愿軍》三部曲系列終章《志愿軍:浴血和平》聚焦抗美援朝第五次戰(zhàn)役后直至簽署停戰(zhàn)協(xié)議期間“邊打邊談”的作戰(zhàn)歷程。前線戰(zhàn)斗血火交鋒,談判桌上唇槍舌劍,面對(duì)敵人的一再挑釁,中華兒女合力反擊,誓要奉陪到底,經(jīng)過(guò)747天的抵死奮戰(zhàn),終于打破了美軍不可戰(zhàn)勝的神話,搏來(lái)了期盼已久的和平。
昭和殘俠傳:唐獅子仁義
高倉(cāng)健,藤純子,池部良,待田京介,小林千枝,志村喬風(fēng)間重吉は花田秀次郎との果たし合いで左腕を失った。出所した秀次郎は林田一家の世話になる。樺島一家は採(cǎi)石の入札をめぐって林田と老舗“淺野屋“を圧迫していた。樺島の客人となった風(fēng)間は、秀次郎に果たし狀を渡すが、女房が兇弾に倒れ、秀次郎とともに死地に向かう。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.