簡單的愛 Easy love
沒有演員,沒有劇本,沒有虛假的情感?!段覀兣c性的距離》是一部超越虛實的紀(jì)錄劇情片,導(dǎo)演泰默姜達(dá)里 費時四個月,貼身拍攝七名住在德國科隆、介于25 至45 歲的男女,他們主宰自己的命運,并勇敢表現(xiàn)自己的 處境和感受。 蘇菲亞搬回家和母親姊妹同住,失業(yè)的她決定從事賣淫;索恩健壯有型并熱衷拳擊,他在女性床伴之間居無定 所,直到遇見令他心儀的女孩;列妮學(xué)習(xí)按摩治療,也和熱戀中的女友琵亞開始同居;史黛拉與男友尼克維持 開放式關(guān)系,卻難掩心中的不安。 四組人物交錯發(fā)展,在鏡頭前裸裎坦蕩,做愛像呼吸一般自然,但更令人感同身受的,是對人生永不妥協(xié)的態(tài) 度,以及找到一份獲得幸福并全心付出的愛情。只是,愛能否如此簡單?性就能拉近彼此距離?
劇情簡介
沒有演員,沒有劇本,沒有虛假的情感?!段覀兣c性的距離》是一部超越虛實的紀(jì)錄劇情片,導(dǎo)演泰默姜達(dá)里 費時四個月,貼身拍攝七名住在德國科隆、介于25 至45 歲的男女,他們主宰自己的命運,并勇敢表現(xiàn)自己的 處境和感受。 蘇菲亞搬回家和母親姊妹同住,失業(yè)的她決定從事賣淫;索恩健壯有型并熱衷拳擊,他在女性床伴之間居無定 所,直到遇見令他心儀的女孩;列妮學(xué)習(xí)按摩治療,也和熱戀中的女友琵亞開始同居;史黛拉與男友尼克維持 開放式關(guān)系,卻難掩心中的不安。 四組人物交錯發(fā)展,在鏡頭前裸裎坦蕩,做愛像呼吸一般自然,但更令人感同身受的,是對人生永不妥協(xié)的態(tài) 度,以及找到一份獲得幸福并全心付出的愛情。只是,愛能否如此簡單?性就能拉近彼此距離?
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午夜微博
鄧紫衣,唐禹哲,杜娟,劉羽琦,洪一平,劉鵬夜深人靜,荒郊野嶺。幾名青年男女去永寧縣某廢棄工廠探險,并全程微博直播。他們?yōu)樽约旱臒o知和膽大妄為付出巨大代價,最終一死一瘋,另外兩人昏迷不醒,還有一人下落不明。美麗女記者蕭薇(鄧紫衣 飾)的妹妹霈霈及其朋友子妍正是這場意外的受害者,從醫(yī)生口中得知,妹妹她們出事前一定受到常人難以想象的驚嚇。蕭薇的搭檔阿康(唐禹哲 飾)調(diào)查后發(fā)現(xiàn),霈霈她們前幾日都曾被某神秘微博帳戶@,之后在她們微博中便各自出現(xiàn)一個倒計時的畫面,而業(yè)已歸零的正是當(dāng)前的死者子妍?! 〗^不相信鬼神傳說的蕭薇,決定親自涉足永寧工廠一探究竟。伴隨蕭薇和阿康的追查,恐怖真相慢慢浮出水面……
曠野
亨特·杜漢,山姆·賈格,凡妮莎·肖Troubled teens attend a Wilderness Therapy program in Utah's desert, navigating personal challenges amidst the harsh Outback environment.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
我的老婆是明星
周柏豪 ,劉心悠,林德信,蔡潔,蔣志光,李尚正,郭偉亮,葉佩雯,朱薰,李日朗,杜德偉,連詩雅,盧海鵬,林盛斌,邵美琪,車婉婉,莊鍶敏,田啟文,趙碩之,古天祥,符曉薇,黃文慧,余慕蓮,王曉君,李潤庭,可宜朱淇(劉心悠 飾)一直以來都希望成為一名演員,然而,在娛樂圈摸爬滾打浸淫多年,始終缺少一點運氣的她卻依然只能在劇中混得一個跑龍?zhí)椎男〗巧?。一次偶然之中,電影公司的大老板杰夫(林德?飾)看中了朱淇,欽點她做一部炒得十分紅火的賀歲片的女主角,朱淇興奮之余害怕自己已婚的身份會影響星途,于是決定隱瞞這一事實?! ≈熹康恼煞蛸嚸ㄖ馨睾?飾)是一名娛樂記者,為了老婆的前途著想,他只能不情不愿的配合著朱淇的腳步。然而,隨著朱淇的走紅,賴毛發(fā)現(xiàn)自己和老婆之間的距離越來越遠(yuǎn),不禁心生疑慮,潛伏劇組之后方才發(fā)現(xiàn)朱淇和杰夫之間竟然有著撲朔不明的曖昧關(guān)系。
圍困3
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浮云世事
卡蒂·奧廷寧,卡里·瓦納寧,葉琳娜·薩羅,薩卡里·庫斯曼嫩,馬庫·佩爾托拉愛娜(卡蒂·奧廷寧 Kati Outinen 飾)和凱瑞(Kari V??n?nen 飾)是一對感情十分要好的夫妻,他們一個是餐廳經(jīng)理,一個是電車司機,盡管經(jīng)濟(jì)并不寬裕,甚至有些“緊巴巴”,但很顯然,照此發(fā)展,兩人的未來充滿了光明和希望?! 〗?jīng)濟(jì)危機的到來讓愛娜和凱瑞的家庭也陷入了危機,愛娜所在的餐廳破產(chǎn)倒閉,凱瑞在公司的“裁員抓鬮”中不幸中彩,夫妻兩人同時失去了工作,家里的貸款還未還完,生活露出了真實而殘酷的面孔,愛娜和凱瑞不知該如何是好。雖然丟掉了工作,但夫妻兩并沒有丟掉斗志和尊嚴(yán),為了生存,他們做出了種種努力,不幸的是,這些努力均以失敗告終。在此走投無路之際,愛娜曾經(jīng)的老板出現(xiàn)在了愛娜的面前,他帶來了一個機會,它有可能壞的,但也有可能是好的。
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