團鬼六:美女繩地獄

3.3 播放:57萬 更新:2026-05-07

;你是蝴蝶!我要做只屬于我的美麗的標本。在繩子上蠕動的肉體 被恐怖戰(zhàn)栗打濕的美女們的秘奧。戰(zhàn)爭陰云密布的陰暗世態(tài)。這里秩父也有一組男女因為一張紅紙而被送了紅包。他是絹批店的女兒光子(高倉飾)和未婚妻榮吉。送去榮吉的召集令狀的郵遞員和彥,被光子的美麗所吸引,以巡禮的姿態(tài)接近她,使用氯仿,監(jiān)禁在土藏中。光子打破鏡子,讓日光反射,告知在外面的孩子們的住處。但是,回來的和彥,對孩子們說著「她瘋了」,趕走了。光子連廁所都不能隨心所欲。她用繩子勒住和彥的脖子,試圖逃跑的嘗試也失敗了。和彥告訴那樣的光子,榮吉戰(zhàn)死了這樣的沖擊的事實。光子對于這件過于悲慘的事件,似乎已經(jīng)全部看透了。SM色情文學開始以來的美型派;高倉美貴的沖擊色情出道作品。扮演M嗜好女性的伊藤麻耶,由于緊縛和吊著的"人間落傘"也是咽氣的震撼力!   

播放通道

詳細簡介

;你是蝴蝶!我要做只屬于我的美麗的標本。在繩子上蠕動的肉體 被恐怖戰(zhàn)栗打濕的美女們的秘奧。戰(zhàn)爭陰云密布的陰暗世態(tài)。這里秩父也有一組男女因為一張紅紙而被送了紅包。他是絹批店的女兒光子(高倉飾)和未婚妻榮吉。送去榮吉的召集令狀的郵遞員和彥,被光子的美麗所吸引,以巡禮的姿態(tài)接近她,使用氯仿,監(jiān)禁在土藏中。光子打破鏡子,讓日光反射,告知在外面的孩子們的住處。但是,回來的和彥,對孩子們說著「她瘋了」,趕走了。光子連廁所都不能隨心所欲。她用繩子勒住和彥的脖子,試圖逃跑的嘗試也失敗了。和彥告訴那樣的光子,榮吉戰(zhàn)死了這樣的沖擊的事實。光子對于這件過于悲慘的事件,似乎已經(jīng)全部看透了。SM色情文學開始以來的美型派;高倉美貴的沖擊色情出道作品。扮演M嗜好女性的伊藤麻耶,由于緊縛和吊著的"人間落傘"也是咽氣的震撼力!   

同類推薦

南方時光

陳玄力,吳慷仁,孫淑媚,黃迪揚,謝以樂,蘇韋華,黃工蕓,朱俐安,鄭有杰

小洲總是背著父親薛大隊長在學校調(diào)皮搗蛋,這次跟死黨小馬與胖雄又闖禍了,訓導主任牛頭于是一狀告到薛大隊長那里。父親將小洲痛責,更在他書包里搜出小馬的香煙,為此又將小洲嚴懲。小洲含冤受屈后憤而出走,心中更暗盼父親可以從這個家消失;沒想到當晚從對岸發(fā)射的兩顆導彈竟令小洲如愿,薛大隊長必須離家往前線去。父親不在家,小洲與小馬、胖雄的行動更肆無忌憚,卻因此而惹上學校的小霸王大毛。小洲為對抗大毛,求助于國宅幫的少年頭頭A 司;A 司答應幫忙,卻要三人付保護費。   三人夾在大毛與 A 司之間,飽受兩方威脅。這時臺灣面臨戰(zhàn)爭邊緣,股票大跌,總統(tǒng)直選在即,民間吹起移民潮。1996 年的南方時光,紛擾躁動,回想起來令人惘然。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

曼克

加里·奧德曼,阿曼達·塞弗里德,莉莉·柯林斯,查爾斯·丹斯,艾利斯·霍華德,湯姆·派福瑞,塔彭絲·米德爾頓,湯姆·伯克,杰米·麥克沙恩,萊文·蘭賓,托比·萊昂納德·摩爾,山姆·特勞頓,約瑟夫·克羅斯,艾維·約斯特,亞當·沙皮羅,費迪南德·金斯利,保羅·福克斯,娜塔莉·丹尼斯·斯皮爾,里克·帕斯夸隆,保羅·卡拉夫特斯,克里斯蒂安·普倫蒂斯,約翰·李·艾姆斯,金斯頓·凡爾內(nèi)斯,克萊格·羅伯特·揚,賈可琳·貝瑟尼,卡米爾·蒙哥馬利,克雷格·韋茨巴赫爾,喬安妮·湯姆森,達娜·林恩·拜倫,斯圖瓦特·斯科爾頓,克里斯

 隨著赫爾曼·J·曼凱維奇爭分奪秒地完成奧遜·威爾斯的《公民凱恩》劇本,人們將通過這位尖刻的社會評論家兼嗜酒編劇的視角,重新審視 20 世紀 30 年代的好萊塢。

肥龍過江

甄子丹,毛舜筠,周勵淇,王晶,林秋楠,張繼聰,竹中直人,丞威,渡邊哲,王祖藍,詹瑞文,陳友,伍允龍,林曉峰,周俊偉,林盛斌,泰臣,葉山豪,嚴華,喻亢,馮勉恒

  香港警察朱福龍(甄子丹 飾)因一次工作失誤慘被降級,萬般無奈之際又遭未婚妻可兒(周勵淇 飾)悔婚,事業(yè)愛情的雙重打擊令他一蹶不振,暴飲暴食六個月后體重猛增到220磅!上司黃警官不忍其繼續(xù)墮落,委派朱福龍前往日本押送一名犯人,并承諾只要完成任務就可以為他恢復職位??上淼饺毡?,倒霉的事件便接連在他身上發(fā)生,不僅財物盡失,連犯人也在押送途中逃脫了。幸好得到前香港警察瀟灑哥(王晶 飾)的幫助才得以暫時解困,為了完成任務找回犯人,朱福龍與瀟灑哥共同行動,不料在查找真相的過程中發(fā)現(xiàn)了日本黑幫的驚天陰謀......

凱多湖的消失

迪倫·奧布萊恩,伊萊扎·斯坎倫,黛安娜·霍佩爾,卡羅琳·福克,山姆·亨寧斯,埃里克·蘭格,勞倫·艾波羅絲,Nina Leon,蘭斯·E·尼克爾斯,大衛(wèi)·馬爾登那多,基姆·巴蒂斯特,Jody Sellers,Greysen Conley,Jules Hilillo Fernandez,Jennifer Sellers,Larry S. White II,A.C. Cooper,Zedrick Tinsley,Elizabeth Feliciano

  一個8歲的女孩神秘地消失在卡多湖上,一系列過去的死亡和失蹤開始聯(lián)系在一起,永遠改變了一個破碎家庭的歷史。