愛的解脫

★ 0.6 播放:41萬(wàn) 更新:2026-04-28

《彩排》是由主人公勝惠(樸英善)演出的一部話?。ㄑ不氐胤降娜髟拕⊙莩觯┖土硪徊吭拕。ㄒ浴段业膼蹚V島》為題目的國(guó)立劇場(chǎng)公演)的彩排期間,勝惠和民秀(崔民秀)的《愛情》的彩排一起進(jìn)行的構(gòu)成。 地方巡回演出結(jié)束時(shí),兩位主人公一起回到首爾。下一場(chǎng)演出彩排開始后,兩人開始同居,就像演戲一樣,兩人開始互相侵犯。勝惠就像對(duì)民秀進(jìn)行演技指導(dǎo)一樣,干涉民秀的日常生活,民秀不熟練地練習(xí)與以往不同的生活方式。彩排結(jié)束的那天他們就分手了。   

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劇情簡(jiǎn)介

《彩排》是由主人公勝惠(樸英善)演出的一部話?。ㄑ不氐胤降娜髟拕⊙莩觯┖土硪徊吭拕。ㄒ浴段业膼蹚V島》為題目的國(guó)立劇場(chǎng)公演)的彩排期間,勝惠和民秀(崔民秀)的《愛情》的彩排一起進(jìn)行的構(gòu)成。 地方巡回演出結(jié)束時(shí),兩位主人公一起回到首爾。下一場(chǎng)演出彩排開始后,兩人開始同居,就像演戲一樣,兩人開始互相侵犯。勝惠就像對(duì)民秀進(jìn)行演技指導(dǎo)一樣,干涉民秀的日常生活,民秀不熟練地練習(xí)與以往不同的生活方式。彩排結(jié)束的那天他們就分手了。   

同類好片

情圣3

肖央,譚卓,喬杉,常遠(yuǎn),張小婉,代樂樂,艾倫,王成思,范湉湉,李思博,劉大鎖,馮滿,小沈陽(yáng),王迅,瑪瑙

第九區(qū)

沙爾托·科普雷,詹森·庫(kù)伯,娜塔莉·博爾特,茜爾雯·斯特賴克,約翰·薩莫爾,威廉·艾倫·揚(yáng),尼克·布雷克,杰德·布羅菲,路易斯·米納爾,瓦妮莎·海伍德,瑪麗安·胡曼,維多利奧·萊奧納迪,曼德拉·加杜卡,約翰·范·肖爾,斯特拉·斯廷坎普,戴維·詹姆斯,肯尼思·恩科西,蒂姆·戈登,莫爾內(nèi)·埃拉斯姆斯,尤金·孔巴尼瓦,赫棱基維·馬德拉拉,西雅邦加·拉德貝,梅爾特·西貝爾哈亨,安德勒·奧登達(dá)爾,尼克·伯萊尼,羅伯特·霍布斯

永恒站

邁爾斯·特勒,伊麗莎白·奧爾森,卡勒姆·特納,約翰·厄爾利,達(dá)明·喬伊·倫道夫,貝蒂·巴克利,杰夫·???潘塔·莫斯勒,布雷迪·德魯利斯,歐嘉·梅雷迪斯,塞巴斯蒂安·比林斯利-羅德里格斯,諾亞·布羅姆利,歐佳·佩斯塔,珍妮·克魯?shù)贍?巴里·普賴默斯,埃里克·高,露西·特恩布爾,大衛(wèi)·Z·科恩,丹尼·麥克,凱爾·沃倫

驚蟄無(wú)聲

易烊千璽,朱一龍,宋佳,雷佳音,楊冪,張譯,劉詩(shī)詩(shī),劉耀文,林博洋,潘斌龍,姚安娜,段奕宏,陳明昊,江奇霖,王圣迪,黃炎,飛凡

遲來(lái)的憤怒

安東尼奧·德·拉·托雷,路易斯·卡葉赫,露絲·迪亞斯,勞爾·希門尼斯,曼諾羅·索洛,馮特·加西亞,皮拉爾·戈麥斯,艾麗西婭·魯維奧,蓋茲卡·阿達(dá)納斯,馬丁·盧納,查尼·馬丁,恩里克·德拉托雷,茵瑪·桑喬,帕科·本杰梅亞,貝爾塔·埃爾南德斯

鬼們之蝴蝶大廈

尹馨,曹佑寧,馮淬帆,白潤(rùn)音,蔡振南,莊凱勛,安心亞,曾莞婷

導(dǎo)演精選

潛艦情緣

她是一名戰(zhàn)術(shù)潛艇軍官。他是管家。在潛水90天之前,她選擇了“四個(gè)小時(shí)”。但它就在這里!誰(shuí)跟著她!誰(shuí)粘的!如果747機(jī)組人員以浪漫為榮,我們會(huì)去哪里?就像我們有時(shí)間在軍事建筑上戀愛一樣!然而,太平洋還不夠大。北冰洋也沒有。當(dāng)你用如此偉大的愛彼此相愛時(shí),世界是如此渺小。。。

母親往事

Paris, 1963. The youngest of a family of six, Roland, is a boy like no other. According to the doctors, he'll never walk, but his stubborn mother, Esther, simply refuses to accept this.

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster