劇情縱覽
帕斯卡爾·布迪亞爾（Pascal暫無內(nèi)容Bourdiaux）首部喜劇長(zhǎng)片，何塞·加西亞（José暫無內(nèi)容Garcia）主演，影片描寫一個(gè)法國(guó)銀行小職員在36小時(shí)內(nèi)被訓(xùn)練成一名黑幫分子的喜劇故事。
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臻選佳作
腐壞之巫
阿麗亞娜·德博斯,馬爾頓·索克斯,芭比·費(fèi)雷拉,阿瑪拉·卡蘭,阿里安·穆阿耶德,桑婭·奧爾森蘭,杰瑞米·惠勒,朵卡·格萊拉斯,米克爾·布拉特·西爾塞特,加布里埃爾·德雷克,伊莫拉·加斯帕爾,加博爾·納吉帕爾,Harry Szovik,Robert Jackson,Rudolf Molnár,Jason York,安德魯·赫夫勒,Gabor Kovacs,Zoltán Seress,Shiraz Khan
一名廚師終于開了自己的高檔餐廳，但地址選在了鄉(xiāng)野傳說中女巫住過的“鬼屋”，可怕的事情發(fā)生：食物里有蟲子爬出，血腥事件來臨……
復(fù)仇新娘
凱蒂·勒克萊齊,杰夫·辛,漢娜·巴爾福特,本·加文,Kendra Carelli,尼克·巴拉德,Charles Christopher,Denny Dormody,肯特·法爾考,Heather Horton,Jana Lewis
擁有一個(gè)成功的美發(fā)沙龍，即將嫁給她夢(mèng)想中的男人，MIYA認(rèn)為事情不會(huì)變得更好。當(dāng)她收到婚禮邀請(qǐng)時(shí)，事情很快就開始崩潰——她的未婚妻伊恩和前未婚妻洛里的婚禮。不久，宮被一個(gè)穿著婚紗和面紗的怪異新娘跟蹤，伊恩開始懷疑宮可能正在編造這一切。當(dāng)一系列可怕的事件開始發(fā)生時(shí)，宮先生確信莉莉正在實(shí)施一個(gè)扭曲和致命的復(fù)仇計(jì)劃
分秒間離
奧蘭多·瓊斯,Edmund Entin,Gary Entin
在一次尋常的大學(xué)生家庭派對(duì)上，荷爾蒙過剩的青年們盡情玩耍。然而當(dāng)晚卻發(fā)生了一起血腥慘劇，數(shù)名校隊(duì)運(yùn)動(dòng)員在地下室玩俄羅斯輪盤賭，最終導(dǎo)致4人身亡。在此之后，蘭普金警探（Orlando Jones 飾）受命調(diào)查此事，并走訪了死亡大學(xué)生所在的教會(huì)學(xué)校。通過對(duì)死者朋友們的盤查，他將盤問對(duì)象所定在喬納（Edund Entin 飾）和賽斯（Gary Entin 飾）身上?！ 碳{和賽斯是一對(duì)俊美的雙胞胎，他們有著極高的智商，卻為周圍的同學(xué)所不容，共同視他們二人為怪胎。他們雖然經(jīng)常拿著攝像機(jī)在學(xué)校走來走去，不過早已被他人當(dāng)作空氣。隨著蘭普金調(diào)查的深入，這對(duì)神秘兄弟的關(guān)系也變得越來越微妙……
公寓2024
斯文·索奇塔,細(xì)田善彥,Rous Mony,Touch Narady,Manika
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.