愛(ài)奴 愛(ài)奴

評(píng)分：7.3 播放：48萬(wàn) 更新：2026-05-06

教書匠之女愛(ài)奴（何莉莉飾）被拐賣到妓院“四季春”，因其容貌脫俗，個(gè)性剛烈，遂得鴇母春姨（貝蒂飾）另眼相看。 春姨穩(wěn)坐四季春第一把交椅，與同僚包虎（佟林飾）共同經(jīng)營(yíng)。包虎一直深愛(ài)春姨，卻無(wú)法如愿。只因春姨癖好獨(dú)特，專好女色，嗜女如命。愛(ài)奴的出現(xiàn)讓春姨眼前一亮，遂百般威逼利誘，要將其培養(yǎng)成頭牌。 為保清白，愛(ài)奴誓死不從。勢(shì)單力薄，春姨強(qiáng)迫其接客，愛(ài)奴慘遭眾豪紳蹂躪。身心俱創(chuàng)的愛(ài)奴只求一死，卻被啞巴少年救下，原來(lái)少年只是裝啞，實(shí)則另有苦衷。 二人潛逃被抓，少年為救愛(ài)奴而死。愛(ài)奴為復(fù)仇，于是違心就范。一面討好春姨，投其所好成為其同性愛(ài)侶。一面隨其學(xué)習(xí)武功奇技。孤女的復(fù)仇計(jì)劃能否成功？ 楚原導(dǎo)演奇情武俠的開山之作，精彩絕倫，成為國(guó)際電影史上的一枝奇葩。

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　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

牢獄鴛

華萊士·比里,切斯特·莫里斯,羅伯特·蒙哥馬利

 肯特·馬洛（蒙哥馬利·克里夫特 飾）因酒駕而入獄，并在牢中認(rèn)識(shí)了搶劫犯約翰·摩根（切斯特·莫里斯 飾）和殺人犯機(jī)關(guān)槍布奇（華萊士·比里 飾）。性格軟弱的馬洛入獄第一晚便遭到了布奇的欺凌，隨后他與其他獄友也無(wú)法和諧相處，心懷不滿的他在警察密探的慫恿下想要通過(guò)抓住布奇和摩根的把柄的方式來(lái)提前出獄。性格暴躁的布奇無(wú)法忍受牢中惡劣的飲食條件，在餐廳慫恿所有犯人一起抗議，最終遭到壓制，布奇也因此被送往地牢，但他心中已打定主意要設(shè)法越獄。摩根性格狡猾，在獄中一直左右逢源，并因在獄中表現(xiàn)良好得到了提前出獄的假釋機(jī)會(huì)，就在他喜不勝收準(zhǔn)備出獄之時(shí)，某個(gè)突然而來(lái)的事件永遠(yuǎn)改變了他的命運(yùn)。

回到從前

伊?！せ艨?艾瑪·沃森,大衛(wèi)·休里斯,戴文·博斯蒂克,戴爾·迪奇,艾倫·阿什莫,亞當(dāng)·布切,大衛(wèi)·丹席克,阿隆·艾布拉姆斯,羅泰爾·布魯特,彼得·麥克內(nèi)爾

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