劇情簡(jiǎn)介
;我的哥哥。一切都可以。母親給我的咖啡店經(jīng)營(yíng)中的歌曲。我的母親生前的公司債，債主們到店里來(lái)。但是有一天，同父異母的兄妹，突然來(lái)找我和一家一起生活。我總是擔(dān)心。偶然我買菜，你累了，我們可以替他還想錢還不夠，但是身體。事實(shí)上，他憤怒的老美。高利貸者找美，我已經(jīng)不在那里。美的犧牲，彼此的感情，兩人的愛情，但第二天不美的消失。是我的雙胞胎姐姐來(lái)找我的本意是聽，她等著，每一天，2年后，她再次回來(lái)。
為你推薦
捕蛇者說(shuō)
霧山捕蛇人深陷苛政與蛇禍雙重絕境，異變的陰影籠罩村落，一場(chǎng)關(guān)乎救贖與守護(hù)的博弈悄然開啟。
像這樣的夜晚
亞歷山大·林肯,杰克·布雷特·安德森,大衛(wèi)·布拉德利,Jimmy Ericson,貝絲·里朗斯,凱恩·薩里,Eloise,Sam Jochim,Rizwan Khan,Harriet Olivia-Wilson一位身無(wú)分文的同志演員和一位因生意失敗而陷入困境的高層人物在一個(gè)冬夜相遇，并聯(lián)手在倫敦各地尋找他們悲慘生活的意義，但當(dāng)他們看似不可能的聯(lián)系變成了更深層次的東西時(shí)，來(lái)自過(guò)去的恐懼和心魔開始危及他們的生活。
鼠膽威龍
張子棟,徐巾淇,趙雷棋,武文佳,強(qiáng)巴才丹,劉佩琦,李奎,張慶慶,鞏小榕夢(mèng)想成為一名“神探”的面館兒小老板林勝利，意外卷入一起“謀殺騙保”的陰謀中，善良正義的他利用多年自學(xué)的推理知識(shí)及縝密的邏輯思維能力，攜手律師朱敏一起抽絲剝繭，避免了悲劇發(fā)生，最終將壞人繩之以法。
牧群
The first feminist vegan horror film, The Herd has been rejected by some film festivals for being too horrific or political. A number of kidnapped women are kept imprisoned in a squalid medical facility condemned to a life of enforced servitude at the whims of their captors, without any hope of rescue or escape.
哪吒鬧海
梁正暉,邱岳峰,畢克,富潤(rùn)生,尚華,于鼎商末時(shí)期，陳塘關(guān)總兵李靖的夫人懷胎3年6個(gè)月，最終生下一個(gè)肉球，肉球中跳出一個(gè)伶俐可愛的男孩。李靖原當(dāng)他是妖孽欲殺之而后快，幸太乙真人前來(lái)收之為徒，賜名哪吒，并賜以乾坤圈和混天綾兩件寶貝。某年，天下大旱，甘露未降。哪吒和家將到東海洗澡玩耍。他用混天綾攪動(dòng)海水，撼動(dòng)龍宮，惹出巡海夜叉李艮和龍王三太子敖丙。幾番言語(yǔ)不和，哪吒殺此二人，由此闖下通天大禍。四海龍王齊聚陳塘關(guān)索命，為救一方百姓，哪吒決定交出生命……本片根據(jù)《封神演義》故事改編，并榮獲1980年電影百花獎(jiǎng)最佳美術(shù)片獎(jiǎng)；文化部1979年優(yōu)秀影片獎(jiǎng)、青年優(yōu)秀創(chuàng)作獎(jiǎng)；1983年菲律賓馬尼拉國(guó)際電影節(jié)特別獎(jiǎng)；1988年法國(guó)布爾波拉斯文化俱樂部青年國(guó)際動(dòng)畫電影節(jié)評(píng)委獎(jiǎng)和寬銀幕長(zhǎng)動(dòng)畫片獎(jiǎng)。
劫車王
佐伊·馬奇爾,弗蘭克·蓋思堂彼得,Bosh,Chilla,Alassane Diong,Disiz La Peste,Hafid F. Benamar,科林·貝茨,米蘭妮·讓帕諾米,Zoé Diowo-Ceccaldi,Florence Fauquet,喬納森·德繆杰,阿利克斯·貝納澤什,帕斯卡爾·艾爾索,Eva Windstein,Agnès Godey,Erwan Szejnok,Azad Boutella,Wendy Grenier,Noémie Desbordes白天，他們是隱形的——豪華酒店的服務(wù)員、女招待和調(diào)酒師。到了晚上，他們就是劫車者，一群熟練的司機(jī)，在路上追蹤和搶劫富有的客戶。當(dāng)他們計(jì)劃最終的搶劫時(shí)，酒店經(jīng)理雇傭了一名無(wú)情的殺手，不惜一切代價(jià)阻止他們。隨著危險(xiǎn)的臨近，諾拉、佐伊、史蒂夫和普雷斯頓能取得迄今為止最大的成績(jī)嗎？
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster