劇情縱覽
A young female journalist gets a chance to follow a famous football star for three days to write an article about him, as her first assignment. What seems at first like a lavish, luxurious lifestyle turns into a dangerous situation.
A young female journalist gets a chance to follow a famous football star for three days to write an article about him, as her first assignment. What seems at first like a lavish, luxurious lifestyle turns into a dangerous situation.
影片基于蘇格蘭作家阿拉斯代爾·格雷所著同名小說,融合現(xiàn)實(shí)主義、奇幻、科幻元素,將弗蘭肯斯坦的故事重塑,設(shè)定在維多利亞時(shí)代晚期,逃避丈夫虐待卻不幸身亡的女子貝拉(艾瑪·斯通 Emma Stone 飾),在被科學(xué)家成功復(fù)活后,心智停留在孩童階段,卻也對(duì)未知世界充滿渴望;她與放蕩律師私奔踏上挖掘自我的冒險(xiǎn),試圖擺脫時(shí)代對(duì)女性偏見,追求平等與性解放。
Follows the relentless journey of a determined young woman as she unravels the disturbing truth behind a serial rapist.
★《羅格河》:一位年輕的女性駕車沿著羅格河旅行,可是她的車子卻神秘的消失了。失去了代步工具和通信,別無選擇,她只得接受了一位陌生人的好意在他的小屋中過夜??墒沁@個(gè)選擇卻讓她后悔終生。在接下來的時(shí)間里除了折磨還是折磨,難以描述的疼痛與令人恐怖的苦痛。如果你看過苦痛,你就什么都沒看過。這部電影在其他恐怖電影結(jié)束之處開始,恐懼與作嘔將縈繞觀影者始終。
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.