特殊的精油按摩
【ストーリー】 指先で癒してあげる??? 角松里美(つぼみ)はサラリーマンの夫?祐二と暮らす平凡な主婦。ある日、街頭でエステティシャンの募集をしている保田に聲をかけられる?! 〗Y(jié)婚する前にエステの仕事をしていたつぼみは、駅前の店『パルファン』にパートスタッフとして勤務(wù)することになった?! ˉ`ナーの保田の事前説明では、女性専用のお店ということだったが、経営の為、最近は男性客も受けいれていることを知り、里美は困惑する?! 啶辘欷胜だ锩坤?、初めてついた男性客の岡田の施術(shù)をすることになった。 岡田は女性経験の無(wú)い純樸な學(xué)生で、里美のマッサージである部分が硬直し、顔を赤らめていたが???。
劇情簡(jiǎn)介
【ストーリー】 指先で癒してあげる??? 角松里美(つぼみ)はサラリーマンの夫?祐二と暮らす平凡な主婦。ある日、街頭でエステティシャンの募集をしている保田に聲をかけられる?! 〗Y(jié)婚する前にエステの仕事をしていたつぼみは、駅前の店『パルファン』にパートスタッフとして勤務(wù)することになった?! ˉ`ナーの保田の事前説明では、女性専用のお店ということだったが、経営の為、最近は男性客も受けいれていることを知り、里美は困惑する。 斷りきれない里美は、初めてついた男性客の岡田の施術(shù)をすることになった?! 铯吓越U験の無(wú)い純樸な學(xué)生で、里美のマッサージである部分が硬直し、顔を赤らめていたが???。
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等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
追殺51號(hào)
穆罕默德·阿里坎,阿黛爾·艾克薩勒霍布洛斯,路易·加瑞爾,吉爾·勒盧什,羅曼·杜里斯,瓦萊麗亞·布魯尼·泰德斯基,達(dá)芙妮·帕塔基亞,維克多·阿爾特斯·索拉羅,托馬斯·班加爾特,阿克賽·百利,斯特凡納·巴克,雨果·狄龍,卡梅爾·拉布魯?shù)?薩杜·巴未來(lái)巴黎,階層鴻溝割裂都市。超腦Alma執(zhí)掌秩序,其創(chuàng)造者暴斃后,警探薩利亞聯(lián)手澤姆揭開(kāi)顛覆割裂世界的驚天謎團(tuán)。
印度超人
佩麗冉卡·曹帕拉,赫里尼克·羅斯?jié)h,納薩魯丁·沙延續(xù)了印度英雄羅希的故事:羅希得到外星人所賦予的超能力與智慧后,邂逅了一位美麗女子并生下兒子克里許那。然而因?yàn)橐粓?chǎng)交通意外,克里許那失去了雙親,和祖母相依為命?! ‘?dāng)克里許那長(zhǎng)大成人后,他發(fā)現(xiàn)自己除了從父親身上遺傳了俊俏臉龐外,竟同時(shí)擁有超能力,而這種力量將會(huì)改變他的一生。一次偶遇,克里許那愛(ài)上從新加坡來(lái)的少女琵莉亞,其后琵莉亞回國(guó),克里許那傷心不已,祖母便建議他到新加坡去追尋自己的真愛(ài)。 一晚,克里許那與琵莉亞去欣賞一個(gè)馬戲團(tuán)表演,卻發(fā)生了大火,堵住了所有的出口,把觀眾和馬戲團(tuán)團(tuán)員都困在帳棚里。絕望的觀眾在火場(chǎng)中只能期待渺茫的奇跡。此時(shí),克里許那馬上化身為奇魔俠并發(fā)揮了他強(qiáng)大的力量,拯救了所有在場(chǎng)的人?! 〗?jīng)此一役,克里許那領(lǐng)悟到他強(qiáng)大力量的背后,背負(fù)著保護(hù)大眾的宿命,而這個(gè)宿命的最終任務(wù),就是對(duì)抗邪惡博士,阻止他控制世界的駭人計(jì)劃……
放飛旅行團(tuán)
姜河那,金英光,車銀優(yōu),姜泳錫,韓善伙堅(jiān)持到底的瘋狂執(zhí)著者、活力爆棚的樂(lè)天派、顏值爆表的潮流DJ志願(yuàn)生、腦洞大開(kāi)的怪咖,還有直率爆笑的傻大姐——這五位從小一起長(zhǎng)大的死黨,雖然個(gè)性南轅北轍,但卻默契滿點(diǎn)。在友情屆滿24週年的同時(shí),他們終於迎來(lái)夢(mèng)寐以求的「人生首次海外旅行」!只是沒(méi)想到,這場(chǎng)說(shuō)走就走的旅程,卻秒變?yōu)碾y現(xiàn)場(chǎng):走失、誤會(huì)、鬧劇不斷升級(jí),他們能否克服重重危機(jī),重新找回彼此?而這場(chǎng)瘋狂之旅的終點(diǎn),會(huì)是一生中的難忘回憶,還是友情的轉(zhuǎn)捩點(diǎn)呢?
蹂躪
布魯斯·鄧恩,安娜貝爾·德克斯特-瓊斯,埃里克·尼爾森,羅伯特·朗斯特里特,Joshua Brady,羅斯·帕特里奇,Chris Pinkalla,Drake Shannon,邁克爾·韋弗When a nature photographer explains to the Police how she fought her way out of the Watchatoomy Valley, they dismiss her crazed and violent story as a meth-induced nightmare. But when they discover that she's telling the truth, it's too late.
噬童魔
杰西卡·麥麗奧德,Hannah Cheramy,約翰·埃梅特·特雷西,Jana Mitsoula,格內(nèi)維夫·布徹納,Connor Stanhope,喬安娜·紐馬奇,Craig March孤兒薩曼塔,和她的養(yǎng)父母以及妹妹奧利弗住在一起,但是他的養(yǎng)父并不喜歡她,老是責(zé)罵她。由于他們的家位于森林深處,所以回家必須經(jīng)過(guò)森林,但是,他們不知道森林里有樹(shù)怪,他們能誘捕兒童,然后把抓到的孩子困到他們的巢穴,然后再幻化成孩子的模樣,回到他們的父母身邊,所以數(shù)百年來(lái),這片森林?jǐn)?shù)百年來(lái)都有兒童走失的案例,不幸的是,由于薩曼塔的疏忽,讓她的妹妹獨(dú)自穿過(guò)森林,然后就被樹(shù)怪擄走啦,接著就發(fā)生了一連串死亡事件,那么薩曼塔一家能夠逃過(guò)一劫嗎?
勤雜工
大衛(wèi)·斯佩德A couple of border town friends think waiting tables will fix everything, but they're mistaken.